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Tag Archives: Wagner
Endnotes, February 2024
Endnotes, February 2024 Wagner from Denmark, reviewed by Stuart Millson Die Walküre (The Valkyrie) by Richard Wagner is a music-drama comprising three Acts and forms the second part of the composer’s epoch-making operatic achievement, Der Ring Des Nibelungen (The Ring of … Continue reading
Go North, Young Man
Go North, Young Man Parsifal, Stage Consecration Festival Play in three acts, music and libretto by Richard Wagner, based on the poem Parzival by Wolfram von Eschenbach, Opera North Orchestra and Chorus conducted by Richard Farnes, directed by Sam Brown, concert … Continue reading
ENDNOTES, January 2021
ENDNOTES, January 2021 In this edition: Stuart Millson’s Wagner The twilight of the gods, the violence and feuds of the great characters of The Ring Cycle, the exploits of knights and Die Meistersinger of mediaeval Nuremberg – these are some of … Continue reading
Posted in Cultural Matters, ENDNOTES:Music, QR Home
Tagged Mahler, Mathilde Wesendonck, Stuart Millson, Wagner
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Night Moves
Night Moves Die Zauberflöte, singspiel in two acts; music by Wolfgang Amadeus Mozart, libretto by Emanuel Schikaneder, Orchestra of the Royal Opera House conducted by Leo Hussain, 6th revival of director David McVicar’s 2003 production, revival director Bárbara Lluch, Royal … Continue reading
Posted in Cultural Matters, QR Home
Tagged Die Zauberflöte, Hitler, Mozart, Reinhold Hanisch, Wagner
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Review of Werther
Review of Werther by Leslie Jones Werther, drame lyrique in four acts, music by Jules Massenet, libretto by Édouard Blau, Paul Milliet and George Hartmann, after Goethe’s novel Die Leiden des Jungen Werthers, orchestra of the Royal Opera House conducted by … Continue reading
Posted in Cultural Matters, QR Home
Tagged Goethe, Isabel Leonard, Juan Diego Flórez, Massenet, Wagner, Werther
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A Family Romance – review of L’Arlesiana
A Family Romance – review of L’Arlesiana Opera in three acts, music composed by Francesco Cilea, libretto by Leopoldo Marenco after Alphonse Daudet, new production by Investec Opera Holland Park, City of London Sinfonia and Opera Holland Park Chorus conducted … Continue reading
Posted in Cultural Matters, QR Home
Tagged Francesco Cilia, Freud, L'Arlesiana, Leopoldo Marenco, Opera Holland Park, Schopenhauer, Wagner
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ENDNOTES, October 2018
ENDNOTES, October 2018 In this edition: Janacek from Decca, reviewed by Stuart Millson; Bruckner, Wagner & Schoenberg, Royal Festival Hall, Southbank Centre, 30thSeptember 2018, Philharmonia Orchestra conducted by Esa-Pekka Salonen, reviewed by Leslie Jones The late-19th/early 20th-century Moravian-born Czech composer, … Continue reading
Posted in Cultural Matters, ENDNOTES:Music, QR Home
Tagged Bruckner, Esa-Pekka Salonen, Janacek, Jiri Belohlavek, Tristan, Wagner
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Parsifal, Munich Opera Festival
Parsifal, Munich Opera Festival Richard Wagner’s Parsifal, Bayerischen Staatsoper, München, Germany, directed by Pierre Audi, sets by Georg Baselitz; Bayerischen Staatsorchester conducted by Kirill Petrenko, Tuesday, 31 July, 2018; reviewed by TONY COOPER In Pierre Audi’s strange but compelling production of … Continue reading
Posted in Cultural Matters, QR Home
Tagged Georg Baselitz, Jonas Kaufmann, Kirill Petrenko, Munich Opera Festival, Parsifal, Pierre Audi, Wagner
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What’s in a Name?
What’s in a Name? Lohengrin, Romantic opera in three acts, music and libretto by Richard Wagner, directed by David Alden, orchestra of the Royal Opera House conducted by Andris Nelsons, Royal Opera, Thursday 7th June 2018, reviewed by LESLIE JONES In … Continue reading
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Tagged Andris Nelsons, David Alden, Klaus Florian Vogt, Lohengrin, Royal Opera, Wagner
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ENDNOTES, May 2020
Endnotes, May 2020 In this edition: Bruckner’s Second Symphony, by Stuart Millson Anton Bruckner (1824-96), organist, Wagnerphile and symphonist, has come to represent the pure, almost naive spirit of late-romanticism. From his earliest days in the Catholic church, to the … Continue reading →
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