Tag Archives: Wagner

ENDNOTES, January 2021

Posted on January 4, 2021 by leslie

ENDNOTES, January 2021 In this edition: Stuart Millson’s Wagner The twilight of the gods, the violence and feuds of the great characters of The Ring Cycle, the exploits of knights and Die Meistersinger of mediaeval Nuremberg – these are some of … Continue reading →

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ENDNOTES, May 2020

Posted on May 6, 2020 by leslie

Endnotes, May 2020 In this edition: Bruckner’s Second Symphony, by Stuart Millson Anton Bruckner (1824-96), organist, Wagnerphile and symphonist, has come to represent the pure, almost naive spirit of late-romanticism. From his earliest days in the Catholic church, to the … Continue reading →

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Night Moves

Posted on November 5, 2019 by leslie

Night Moves Die Zauberflöte, singspiel in two acts; music by Wolfgang Amadeus Mozart, libretto by Emanuel Schikaneder, Orchestra of the Royal Opera House conducted by Leo Hussain, 6th revival of director David McVicar’s 2003 production, revival director Bárbara Lluch, Royal … Continue reading →

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Review of Werther

Posted on September 24, 2019 by leslie

Review of Werther by Leslie Jones Werther, drame lyrique in four acts, music by Jules Massenet, libretto by Édouard Blau, Paul Milliet and George Hartmann, after Goethe’s novel Die Leiden des Jungen Werthers, orchestra of the Royal Opera House conducted by … Continue reading →

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A Family Romance – review of L’Arlesiana

Posted on July 24, 2019 by leslie

A Family Romance – review of L’Arlesiana Opera in three acts, music composed by Francesco Cilea, libretto by Leopoldo Marenco after Alphonse Daudet, new production by Investec Opera Holland Park, City of London Sinfonia and Opera Holland Park Chorus conducted … Continue reading →

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ENDNOTES, October 2018

Posted on October 18, 2018 by leslie

ENDNOTES, October 2018 In this edition: Janacek from Decca, reviewed by Stuart Millson; Bruckner, Wagner & Schoenberg, Royal Festival Hall, Southbank Centre, 30thSeptember 2018, Philharmonia Orchestra conducted by Esa-Pekka Salonen, reviewed by Leslie Jones The late-19th/early 20th-century Moravian-born Czech composer, … Continue reading →

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Parsifal, Munich Opera Festival

Posted on August 15, 2018 by leslie

Parsifal, Munich Opera Festival Richard Wagner’s Parsifal, Bayerischen Staatsoper, München, Germany, directed by Pierre Audi, sets by Georg Baselitz; Bayerischen Staatsorchester conducted by Kirill Petrenko, Tuesday, 31 July, 2018; reviewed by TONY COOPER In Pierre Audi’s strange but compelling production of … Continue reading →

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What’s in a Name?

Posted on June 12, 2018 by leslie

What’s in a Name? Lohengrin, Romantic opera in three acts, music and libretto by Richard Wagner, directed by David Alden, orchestra of the Royal Opera House conducted by Andris Nelsons, Royal Opera, Thursday 7th June 2018, reviewed by LESLIE JONES In … Continue reading →

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Leipzig in Musical History

Posted on May 1, 2018 by leslie

Leipzig in Musical History  Tony Cooper takes a musical heritage trip to Leipzig Leipzig is certainly a city rich in musical history. For a start, Richard Wagner was born here. But if Wagner was closely associated with Leipzig so was Felix … Continue reading →

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Oper Leipzig, The Ring

Posted on April 21, 2018 by leslie

Oper Leipzig, The Ring Wagner:The Ring of the Nibelung, Oper Leipzig, from 11th April 2018, directed by Rosamund Gilmore, conducted by Ulf Schirmer, reviewed by TONY COOPER Leipzig is rich in musical history. Richard Wagner was born here, Felix Bartholdy … Continue reading →

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