Category Archives: ENDNOTES:Music

Classical music reviews

ENDNOTES, November 2020

ENDNOTES, November 2020 In this edition: Saint-Saëns and Henrique Oswald, Piano Concertos; Piano music by contemporary Iranian composers, Farhat and Tafreshipour, reviewed by STUART MILLSON A stream of elegant, late-romantic melody this month, courtesy of the SOMM label – which brings … Continue reading

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ENDNOTES, October 2020

ENDNOTES, October 2020  In this edition: Elgar in America, by Stuart Millson The Worcestershire born and bred composer Edward Elgar first visited the United States in 1905, to great acclaim. Interestingly, the traditional performance of ‘Land of Hope and Glory’ … Continue reading

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ENDNOTES, September 2020

ENDNOTES, September 2020 In this edition: as the BBC reinstates ‘Land of Hope and Glory’ to the Proms season finale, Stuart Millson recalls the Last Night of the Proms, 1982 Back in the days of Sir Malcolm Sargent, Basil Cameron … Continue reading

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ENDNOTES, August 2020

ENDNOTES, August 2020 In this edition: Brahms celebrated in Vienna – patriotic music denigrated in Britain, by Stuart Millson The city of Vienna is home to two of the world’s greatest orchestras: the Vienna Philharmonic, once conducted by Karajan, and … Continue reading

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ENDNOTES, July 2020

ENDNOTES, July 2020 In this edition: late-romantic piano quintets by Franck and Fauré; & a classical music establishment in meltdown, by Stuart Millson The Prague-based Wihan Quartet – winners of the London International String Quartet Competition in 1991 – has … Continue reading

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ENDNOTES, June 2020

ENDNOTES, June 2020 John Ireland et al. at the online English Music Festival;  music for horn by Peter Seabourne and Robin Holloway, reviewed by Stuart Millson With our concert halls closed and orchestras silent, the performance of classical music has … Continue reading

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ENDNOTES, May 2020

Endnotes, May 2020 In this edition: Bruckner’s Second Symphony, by Stuart Millson Anton Bruckner (1824-96), organist, Wagnerphile and symphonist, has come to represent the pure, almost naive spirit of late-romanticism. From his earliest days in the Catholic church, to the … Continue reading

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ENDNOTES, April 2020

Endnotes, April 2020 Stuart Millson, on the forgotten pleasure of browsing for records With the near demise of the record shop (our older readers may remember the much-loved Farringdon Records at Cheapside or Harold Moores in the West End), it … Continue reading

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ENDNOTES, March 2020

ENDNOTES, March 2020 Remembering Vernon Handley  by Stuart Millson A recent BBC Radio 3 performance of a recording of Bax’s symphonic poem, The Garden of Fand – and my own replaying of a landmark recording of Tippett’s Concerto for Double … Continue reading

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ENDNOTES, February 2020

Endnotes, February 2020 Ethel Smyth’s Mass in D; overture to The Wreckers;  and a recital at Middle Temple Hall, reviewed by Stuart Millson Ever since the revival of Ethel Smyth’s opera The Wreckers in 1994 (a once-famous piece, championed by such … Continue reading

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