
A scene from La Bohème by Puccini, Royal Opera
©Tristram Kenton, 01/20
Boy’s Zone
La Bohème, opera in four acts, music by Giacomo Puccini, libretto by Giuseppe Giacosa and Luigi Illica, Orchestra of the Royal Opera House conducted by Emmanuel Villaume, director Richard Jones, third revival of the 2017 production, Royal Opera House, Monday 20th January 2020, reviewed by Leslie Jones
La Bohème contains two contrasting views of life. One view, tinged with pessimism, is articulated by the painter Marcello, who is cynical and at times misanthropic. Referring to his on-off partner, he speaks bitterly of “…that enormous glacier, Musetta’s heart”. Musetta is avowedly attention seeking, an incorrigible flirt. Marcello contends that “Her favourite food is the heart…”. The other take on life is that embodied by the poet Rodolfo, an idealist and unrepentant romantic. He confides that “…in my happy poverty I squander like a prince my poems and songs of love”. He discerns in Mimi a kindred spirit and “…the dream I’d dream forever!” Oh, sweet age of utopias!”, Marcello opines, “You hope and believe and all seems beautiful”. Continue reading


















Gone AWOL
The Duke and Duchess of Sussex
Gone AWOL
Ilana Mercer on Megxit
His wife, a hero of sorts only in the TV series “Suits,” had hightailed it to Canada, leaving Harry Windsor, formerly known as Prince Harry, to deliver a concession speech. Make no mistake—no matter the moola they rake in, Harry and Meghan Markle have been sorely defeated and deflated.
Earlier in January 2020, the stumblebum Sussexes had smugly announced to the public that they “planned to carve out a progressive new role within this institution.” The unavoidable implication of that sleight-of-hand was that “this institution” (the monarchy) was just not woke enough for the two’s exquisitely honed sensibilities. Gallantly has Harry tried, since, to make his subjects believe that it is he, not Meghan Markle—his meddlesome American wife—who had attempted, and failed miserably, to outsmart Queen Elizabeth II. But the crass and callous rollout production, lacking in etiquette and contemptuous of royal protocol, fell flat. Continue reading →
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