Maxwell, in the Flesh

Headington Hill Hall, credit Wikipedia

Maxwell, in the Flesh

Fall: the Mystery of Robert Maxwell, John Preston, Viking/Penguin Books, 2021, 323 pp, hb, £18.99, reviewed by Leslie Jones

In her memoir A Mind of My Own, Betty Maxwell characterised her late husband as “the Greek tragic hero”, the author of his own downfall. Unquestionably gifted and intelligent, Robert Maxwell spoke nine languages and read a book every day, either a Pelican or a Penguin. He could absorb information “at a phenomenal rate”.

On Desert Island Discs, in July 1987, Maxwell described himself as “a very happy person” and claimed that his childhood “has had no effect on me”. He acknowledged, however, (somewhat inconsistently) that as a child he was always cold and hungry, arguably the root of his subsequent gluttony. Ján Hoch, aka Robert Maxwell, was born in Solotvino, Ruthenia (Czechoslovakia), on June 10th 1923. His father, an orthodox Jew, scraped a living selling animal skins. The parents and their nine children lived in a two room wooden shack with an earth floor. There was no running water and only a pit latrine. Maxwell, not surprisingly, rarely spoke of his childhood.

Freud, referring to his own upbringing, emphasised the significance of his mother’s unstinting love and attention. Maxwell’s mother, likewise, doted on her first born son but his father regularly beat him. The boy evidently adored his mother. She perished in Auschwitz along with Maxwell’s father, two sisters and grandfather. Betty believed that he felt responsible for the destruction of his family. Instead of joining the Czech resistance, he should have stayed at home and rescued them. He subsequently tried to replace the family that he had lost with one of his own. He and Betty, whom he married in 1945, eventually had nine children. Like his father before him, he beat them if they did badly at school. His children were all terrified of his temper and intimidated by his high expectations. Continue reading

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Death by Des Grieux, Encore

Puccini

Death by Des Grieux, Encore

An emotionally powerful Manon Lescaut from the Grange Festival, reviewed by David Truslove

It is a brave individual who updates Puccini. So it was of considerable interest to see the veteran director Stephen Lawless wrench Manon Lescaut out of the mid-18th century and situate Puccini’s first operatic success (1893) in Nazi-occupied France. Black and white film footage prefacing each act provides a visual historical context. Little change geographically, yet the director’s dramatic licence heightens the work’s darkness with his transformation of the wealthy Geronte into a collaborator and Le Havre’s detention centre occupied by resistance fighters avenging wartime crimes. The deportation envisaged by Lawless (to some unspecified location) brings far more sinister overtones than the American colonies outlined in the original novel by the Abbé Prévost. But is anything gained by suggesting an incestuous relationship between Manon and her brother?

Adrian Linford’s designs are devoid of purpose. Setting Act I largely in a dilapidated schoolroom which morphs into a restaurant and then a garage is frankly bizarre. Similarly, attiring the students in shorts and sandals seems absurd. How does this reinforce any sense of tragedy? At least there’s a luxuriously appointed Parisian salon, but why are the madrigalists dressed as men? Overall, it’s a fanciful reshaping which undermines the work’s emotional core that is the relationship between the pleasure-seeking Manon and a helplessly infatuated Des Grieux. Continue reading

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Me Too Movement Ensnared Cosby

Bill Cosby in 2010, credit Wikipedia

Me Too Movement Ensnared Cosby

by Ilana Mercer

“The matriarchy is merciless, and it has thoroughly feminized and twisted US law,” this writer wrote, in April of 2018, upon the sentencing and jailing of comedian Bill Cosby. Cosby had been found “guilty” “of three counts of aggravated indecent assault, for drugging and sexually assaulting Andrea Constand at his home in a Philadelphia suburb in 2004.” CNN gloated at the prospects of the legendary 83-year-old comedian facing up to 10 years in prison. The network, under whose auspices are gathered some of the most malevolent and moronic activist broadcasters in an already crooked media-industrial-complex—did not feature one dissenting legal opinion.

Actually, with few exceptions, talking heads, right and left, converged on Cosby. So, while decent logic and law came from Townhall.com’s Marina Medvin, the unthinking Kimberly Guilfoyle on Fox News joined the #MeToo mob in raising her pom-poms for this travesty of a verdict. Those of us who did dissent at the time are thrilled that Pennsylvania’s highest court has vacated Mr. Cosby’s 2018 conviction, after Cosby had served two years of a three-to-ten-year sentence.

The same myopic, malfunctioning media are currently choosing to focus on how the Cosby verdict has been overturned on a procedural or technical matter. A prosecutor, Pennsylvania Republican Bruce Castor, had struck a “non-prosecution agreement” with Mr. Cosby in 2005. Lack of admissible evidence notwithstanding, this prior agreement with Castor barred the case from going to trial.

Now, as the Guardian explains, Philadelphia justices ruled that Cosby relied on the promise that he would not be prosecuted, when he agreed to testify in a civil case brought against him by [accuser] Andrea Constand, without invoking his Fifth Amendment right against self-incrimination. Enter District Attorney Kevin Steele. He must have been watching too many episodes of the new, #MeToo “Law & Order: Special Victims Unit,” where a team helmed by vengeful protagonist Olivia Benson traps men by means fair and foul. Too often, plea bargains and other agreements are struck only to be gleefully and maliciously torn up once the suspect is deceived into compliance, having trusted the integrity of “the system.” Continue reading

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Is Anybody Out There?

Seven Spiritualists, 1906, credit Wikipedia

Is Anybody Out There?

by Bill Hartley

It’s not uncommon for churches to be turned over to new uses, selling, for example, anything from carpets to bathroom fittings. Often they were built to serve a population crowded into streets of terraced houses, close to places of employment. Darlington in County Durham has several former churches which have gone over to retailing. On the north side of town, where the route of the Stockton and Darlington Railway still bisects the main road, is a working class district which has been spared the joys of multiculturalism. The only people noticeably different are the Chinese who run the Heng Fu takeaway and similar establishments. No-one is going to starve here.

However, the district shouldn’t be considered culturally insular. On the main road  is a place where you can get a Reiki head massage, or for £50 experience past life regression – an interesting way to spend time after dropping off your vacuum cleaner for repair. There are small businesses here offering everything from furniture repair to plumbing. Among them is the Coast to Coast emporium which sells exotic plants and animals. It leaves one (perhaps unfairly) with the image of a newly sold tarantula or corn snake, far from home, slowly dying in unsuitable accommodation. Continue reading

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Ivan the Terrible

Still from Ivan the Terrible, director Sergei Eisenstein, credit Wikidata

Ivan the Terrible

Rimsky-Korsakov’s Ivan the Terrible, Grange Park Opera, reviewed by David Truslove

An opera impresario needs enterprise and tireless zeal and Wasfi Kani of Grange Park Opera has both. This season she has made the bold decision to include two unknown works: a world premiere by Anthony Bolton (whose career began as an investment banker) and a neglected opera by Nikolai Rimsky-Korsakov. Ivan the Terrible (originally The Maid of Pskov) has not been heard in Britain for over a century. But, as the first of his fifteen operas, written while he was still a serving officer in the Russian navy and sharing an apartment with Mussorgsky, Ivan the Terrible is a remarkably assured work, a portrait of flawed humanity, oppression and doomed love. Premiered in St Petersburg in January 1873, it was performed in Paris and London in 1909 when Serge Diaghilev introduced the renowned Russian bass Feodor Chaliapin. However, since then this richly scored work, with its ceaseless flow of lyrical invention, stirring choruses and touching romance, has become a musical footnote. Continue reading

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ENDNOTES, July 2021

St Mary’s Church, Horsham

ENDNOTES, July 2021

In this edition: Blissful sonatas at the English Music Festival; contemporary organ music from the United States, reviewed by Stuart Millson

Classical music has endured a turbulent time during the last year. The depredations of the Covid crisis, the loss of cultural self-confidence in the West – which has resulted in institutions such as the Royal Academy of Music* examining ways to “decolonise” (i.e. make less European) the art-form that constitutes its very raison d’etre – have all inflicted lasting damage. Even those, such as English Music Festival Director, Em Marshall-Luck, who continue – against all the odds – to run concerts and make recordings during this time of near-paralysis, provide us with stark warnings. For example, in her introduction to this year’s Festival programme, Em tells us the stark reality now before us:

‘A survey** conducted last year revealed that, as a result of the impact of COVID-19 and event cancellations, 64% of musicians are considering leaving the profession permanently. The irrevocable loss of so many talented artists will inevitably result in a significant contraction of the UK music industry, so we need to do all we can to keep concerts going as much as possible, to succour our artists and prevent any more such loss.’

Continue reading

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When Bloodbath becomes Bacchanalia

Candace Owens, credit Wikipedia

When Bloodbath becomes Bacchanalia

by Ilana Mercer

In an era where everything is captured on camera, the cold-blooded murder of Gyovanny Arzuaga and Yasmin Perez is particularly chilling. The occasion was the Puerto Rican Day Parade in Chicago, Saturday last. The location: West Division Street on the Northwest Side, at Humboldt Park. South Africa style—and for no good reason—a bunch of “fellas,” as Colin Flaherty is wont to say, leapt out of their vehicle, surrounded a stationary car, pulled a young couple out of it and shot each in the head, while hopping about and gesticulating in feral glee.  Watch:

https://twitter.com/stillgray/status/1406590701442256908

There was no detonating rage or purpose to the act—only heightened arousal. The scene had the ritualistic quality of a voodoo ceremony, minus the wide-eyed ululation. Running commentary offered by the videographer had the same flat affect: folks, this is good fun, but hey, stay cool. Chill.

“I don’t think this crime will be ‘disappeared’ so easily,” tweeted one “Musil Protege.” “It may be worth watching Tucker tonight. He has developed a relationship with Chicago Alderman Raymond Lopez,” posited “Musil.” The alderman is “a reasonable law-and-order Democrat, who has become something of a thorn in the side of Mayor Lori Lightfoot.” Continue reading

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Whitewashing the Great Terror

Stalin, 1945, credit Wikipedia

Whitewashing the Great Terror

By Frank Ellis

Guilt and innocence become senseless notions: “guilty” is he who stands in the way of the natural or historical process which has passed judgement over “inferior races”, over individuals “unfit to live” over “dying classes and decadent peoples”. Terror executes these judgements and before its court, all concerned are subjectively innocent:the murdered because they did nothing against the system, and the murderers because they do not really murder but execute a death sentence pronounced by some higher tribunal […] Terror is lawfulness, if law is the law of the movement of some suprahuman force, Nature or History.

Hannah Arendt[1]

    1. Introduction: The Great Terror (Ezhovshchina)
    2. Stalin’s Reasons for the Great Terror
    3. Interrogation, Torture and Confessions
    4. The Role of Terror in the Soviet State
    5. Stalin Manipulated by the NKVD?
    6. The Great Terror was not confined to the Red Army
    7. No Evidence of Large Agent Networks in the Soviet Union Run by Foreign Intelligence Agencies
    8. Stalin’s Failure to Heed Military Intelligence Data 1940-194
    9. Further Evidence that Internal Considerations of Power outweighed Concerns about any External Threat
    10. The Heydrich Dossier and Archives
    11. The Gang of 13: Stalin names the Core Conspirators
    12. Faking the Past in order to Control the Present
    13. The Heart of the Military-Political Conspiracy
    14. Kliment Efremovich Voroshilov: No Comrade in Arms
    15. Inconsistent Explanations of Stalin’s Behaviour
    16. The Party Mind, Ideology and Revolutionary Justice
    17. Ending the Great Terror and the Meaning of Zagovor (Conspiracy)
    18. Conclusion

Continue reading

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Empirical Wisdom Confirms Analytical Truth

Charles Murray speaking at FreedomFest, credit Wikipedia

Empirical Wisdom Confirms Analytical Truth

by Ilana Mercer

My 2011 book, “Into the Cannibal’s Pot: Lessons for America from Post-Apartheid South Africa,” rests on two axiomatic truths, and I excerpt (pp 40-41 & 126-128, 2011):

“In all, no color should be given to the claim that race is not a factor in the incidence of crime in the US and in South Africa. The vulgar individualist will contend that such broad statements about aggregate group characteristics are collectivist, ergo false. He would be wrong.”

“Generalizations,” I continued, “provided they are substantiated by hard evidence, not hunches, are not incorrect. Science relies on the ability to generalize to the larger population observations drawn from a representative sample. People make prudent decisions in their daily lives based on probabilities and generalities. That one chooses not to live in a particular crime-riddled county or country in no way implies that one considers all individual residents there to be criminals, only that a sensible determination has been made, based on statistically significant data, as to where scarce and precious resources—one’s life and property—are best invested.” (Into The Cannibal’s Pot, pp 40-41)

In short, generalizations about certain group characteristics are, in aggregate, valid. These, however, do not contradict the imperative to treat each and every individual as an individual. Continue reading

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Psychopathia Americana

Sadak in Search of the Waters of Oblivion, by John Martin, credit Wikipedia

Psychopathia Americana

By Ilana Mercer

There is this New York City psychiatrist. Her name is Dr Aruna Khilanani. In a lecture to the Yale School of Medicine’s Child Study Center, no less, she likened whites to “demented, violent predators who think that they are saints or superheroes.” She then let the septic tank that is her mind overflow. Said Dr. Khilanani:

I had fantasies of unloading a revolver into the head of any white person that got in my way, burying their body, and wiping my bloody hands as I walked away relatively guiltless with a bounce in my step. Like I did the world a fucking favor. (Time stamp: 7:17)

For her murderous fantasies against the pigmentally deficient, Dr. Khilanani should have been criminally profiled by the FBI’s Behavioral Analysis Unit. This primitive reptilian brain might be a danger to the community waiting to happen. Instead, morality has been inverted. Rather than being hobbled by her deviant views, Dr. Khilanani has been approved and elevated at every step of her privileged romp through America’s institutions. Someone in authority invited her to give a talk to the nation’s top university, Yale, an intellectual shithole, really. Someone high-up approved of, even liked, the topic of this woman’s address, which was, “The Psychopathic Problem of the White Mind.” Continue reading

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