
Tuuli Takala as Queen of the Night, photo by Tristram Kenton
Night Moves
Die Zauberflöte, singspiel in two acts; music by Wolfgang Amadeus Mozart, libretto by Emanuel Schikaneder, Orchestra of the Royal Opera House conducted by Leo Hussain, 6th revival of director David McVicar’s 2003 production, revival director Bárbara Lluch, Royal Opera, 1st November 2019, reviewed by Leslie Jones
Reinhold Hanisch recalls a conversation that he had with Hitler, on the bread line in Vienna. Citing Die Zauberflöte, Hanisch suggested that Mozart was a much greater composer than Wagner. Hitler flew into a rage. He considered Mozart’s work superficial and sentimental.
Imbued as it is with humanistic, nay Masonic, ideals of peace, progress, reason and love, Hitler evidently detested Die Zauberflöte. The character of the Queen of the Night, bent on murder and revenge, was more in line with his social-Darwinist thinking. Yet, paradoxically, there are anticipations of The Ring in Mozart’s late masterpiece. Its hero Tamino, who contends with a giant serpent, prefigures Siegfried. The Queen’s Three Ladies, brilliantly performed on this occasion by Kiandra Howarth, Hongni Wu and Nadine Weissmann, likewise, bring to mind the Rhine Maidens. And for Alberich, read Monostatos (Rodell Rosel, suitably sinister). Indicatively, a production of Der Ring des Nibelungen, at Strasbourg, is one of director David McVicar’s credits. Continue reading



















Learn before you Lead
Friedrich Hayek
Learn before you Lead
Ilana Mercer tutors young conservatives
To judge by their writing, the youngsters who’ve been given the run of the conservative op-ed pages, pixelated and printed, know little about how socialism differs from capitalism. To their credit, they’ve chosen a side—the right side—but are incapable of arguing the morality of capitalism and its efficacy, which stems from its morality. Their employers are failing to demand that their young, conservative charges methodically and creatively motivate for the right—and the Right—side.
Endeavoring to explain the oft-repeated banality that, “Colleges are turning young people [into] socialists,” one such prototypical writer says this in her dog’s breakfast of a column, for the Washington Examiner:
“Students are gullible and moldable because they have little conviction and no foundation. Too often, public universities teach students to accept basic, shallow ‘knowledge’ at face value. They are not trained to ask why this knowledge matters or how it influences the rest of their education or how it relates to higher principles.”
The writer at once, and incoherently, condemns “shallow knowledge” (whatever that is) yet laments that students are not taught to relate “shallow knowledge” to higher principles. What does this even mean? Such bafflegab is published absent the telltale signs of editorial oversight. Or, perhaps the editors of the Examiner and publications like it think that voicing an opinion is the same as advancing an argument. Continue reading →
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