
Still from London Can Take It
Humphrey Jennings – ‘poet’ of the
British Cinema
by Stuart Millson
Just a few years after the Second World War, a small film company – Wessex Film Productions Ltd. – issued a “short” – an information film (for the Central Office of Information) – with the title, The Dim Little Island. The subtitle was, for such a modest film, quite lengthy and intriguing: ‘A Short Film composed on some thoughts of our past, present and future from four men.’ The four men in question came from very different walks of life: the great composer, Ralph Vaughan Williams; a naturalist, James Fisher; John Ormston of Vickers Armstrong; and the artist and illustrator, Osbert Lancaster.
The aim of the Producer and Director, Humphrey Jennings, was to examine the idea, prevalent in that time of post-war austerity, that England and Great Britain was, despite its victory in war, an exhausted country, with little to be optimistic about. Jennings had spent most of his life producing “films to order” – documentary, even propaganda films (if you take the cynical view), but with sensitivity, subtlety, and a sense of involvement for the audience. His aim was not just to convey the view of government ministers, but to show the best of the country – and the truth of life in Britain. Even when presenting its less appealing aspects, such as “dark, satanic mills” or unemployment (Jennings was both a patriot and a social reformer), there was an emotional and moral purpose to what he did. If the works of author George Orwell contained a fusion of what (on the face of it, at least) are the two separate ideals of traditional nationhood and the welfare state, then it was Humphrey Jennings who celebrated – and fused – those ideals for the British cinema. Continue reading
















The Crass Pragmatism of Shapiro and McCain
William James b. 1842, credit Wikipedia
The Crass Pragmatism of Shapiro and McCain
By Ilana Mercer
Ben Shapiro is an anti-Trumper, who continues to assert baselessly that “the future of the Republican party is anti-Trump.”
Fox News, generally pro-POTUS, persists in exposing Deplorables to Shapiro’s twitter travails and spats with a left that, in turn, doesn’t know left from right—for Ben is no rightist; he’s a neoconservative media-pleaser.
In this farcical tradition, Ben was asked to comment on the election of Alexandria Ocasio Cortez, whom Rush Limbaugh—he knows a thing or two—calls the female Barack Obama.
Since winning the Democratic primary in New York’s 14th congressional district, Cortez, a hard-core socialist, has been the toast of the town. Continue reading →
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