In a Place of Tears

Kristine Opolais as Tosca, ROH 2019, Photo by Catherine Ashmore

In a Place of Tears 

Review of Tosca, melodrama in three acts, music by Giacomo Puccini, libretto by Giuseppe Giacosa and Luigi Illica, conducted by Alexander Joel, directed by Jonathan Kent, Royal Opera, 27th May 2019, reviewed by Leslie Jones

In Andrea Chénier, in the duet Vicino a te s’acqueta, composer Umberto Giordano and his librettist Luigi Illica depict death “as the apotheosis or triumph of love” (see ‘Reign of Tenor’, QR, 20th May 2019). But in Tosca, to quote the judge in Brian De Palma’s film Carlito’s Way, “there is no…absolution or benediction” here. Eros and Thanatos commingle. But it is hatred that turns Scarpia on and he offers Floria Tosca a life, that of Cavaradossi, in exchange for “a moment”, a euphemism for sex.

Bryn Terfel, as Baron Scarpia, has a powerful physical presence, almost as overpowering as the monumental statuary in his apartment. Every member of the cast freezes when he first enters the church. He put in a commanding vocal performance but his acting skills were not commensurate. We preferred Marco Vratogna’s more subtle depiction of Scarpia in a previous production (see ‘Praying Mantis’, QR, February 21, 2018). Continue reading

Posted in Cultural Matters, QR Home | Tagged , , , | Leave a comment

Muslims are Reading the Bible Again

Adam and the Angels, watched by Iblis

Muslims are Reading the Bible Again

Gabriel Said Reynolds, The Quran & the Bible: Text and Commentary, Yale University Press, 2018, Pp. xviii, 1008, reviewed by Darrell Sutton

The decline of Christianity in the West has not impeded the continuous surge of attention Muslims give to the Quran in the East. In small pockets of Europe, the revival is spearheaded by persons born or raised in eastern hemispheres. Devotees of extremist views, of whatever religion, read their text passionately, even historically. Excessive ardor for truth sometimes takes them in violent directions. These facts are often concealed from an increasingly self-indulgent populace.

At the same time, the deterioration of Christian belief in recent decades is understandable. Unbelieving ecclesiastics do not inspire anyone, so sanctuaries sit empty. Although they would reckon their actions to be just, many politicians introduce legislation out of fear: fear of seeming to prefer one faith above another, fear of reprisal, fear of offending others etc.

Bible reading among Europeans and North Americans is not on the rise. There are exceptions, but look at the numbers. Yet the Hebrew Scriptures are held in high esteem by all adherents to Judaism. The Old Testament [in Greek and Hebrew], and the New Testament are believed by Christians to be God’s Word. Nevertheless, the falling away from faith continues apace. Continue reading

Posted in Book Reviews, Current Affairs and Comment, QR Home | Tagged , , , | 1 Comment

Lighten Up

George Henry Bought, Pilgrims going to Church

Lighten Up

Whiteness: The Original SinJim Goad, Obnoxious Books, Stone Mountain, Georgia, 2018, paperback, 345pp. reviewed by Ed Dutton

The Puritans never had a sense of humour. These irony-deficient, extremist Protestants were too intensely focused on virtue signalling and questioning ever more traditions in order to advance in their virtue-signalling arms race. Immersed in what the American psychologist William James (1842-1910) termed ‘the religion of the sick soul,’ these Road to Damascus converts required a world of absolute certainty. Nobody should remind them of their fundamental psychological insecurities by questioning their self-righteous, contradictory, self-serving worldview which, on a certain level, they knew made no sense. Hence, they required everyone to accept and conform to it. The slightest questioning of their dogmas would send them into paroxysms of rage; it would induce ‘cognitive dissonance,’ leaving their ‘sick soul’ exposed even to themselves.

Humour and mockery were especially dangerous for such people, as they implied that their absolute correctness might be an illusion; for if it were not, then lampooning it would be unthinkable. Comedy was also very serious, they may on some level have realised, because it dissociates the listener, making them more receptive to whatever subversion the comedian is engaged in. It tends to involve, à la the Fool in Shakespeare plays, having the guts to fearlessly ‘go there’, to say the unsayable, albeit gently coated in a bizarre juxtaposition. This releases nervous tension, as we let go of the effortful control of our real opinions which we all hold to in order to fit in, so making people laugh. Additionally, the ability to make people laugh signifies intelligence, creativity and – in the case of political satire – bravery and open-mindedness. It also makes people feel good; so David-Lammy-forbid that one’s enemies should become associated with such traits and feelings in the minds of the populace. Laughing is also inherently a loss of physical control, under the spell of someone else. For anyone to be, in effect, hypnotised by agents of Satan himself is hardly conducive to the sound mental health of the righteous ones.

It should, therefore, be no surprise that the Puritans’ ideological successors – the Multiculturalists – get so upset about being mocked. Or that Carl Benjamin, aka Sargon of Akkad’s joke about Labour MP Jess Philips being not worth raping – ‘I wouldn’t even rape you . . .  With enough pressure, I might cave’ – should evoke such a visceral reaction, including an investigation by the police. {Editorial note: see report by Rajeev Syal, The Guardian, 7th May 2019. The first remark was in a tweet in 2016, the second in a recent YouTube video}.

Jim Goad’s Whiteness: The Original Sin is, likewise, a matter of extreme peril to such people because it is funny. It tears to shreds the dogmas of Multiculturalism – especially those prevalent in the USA – with its surreal, cutting, faux-confused and, most importantly, self-mocking humour. Goad, a colourful character, is a superb writer who somehow manages to take the destruction of Western civilization and the psychological breaking of European peoples by their own crazed leaders and make you laugh about it.

Whatever PC dogma you can think of – that non-whites can’t be racist, that there was never white slavery in the USA, that the Unionist army was anti-racist, that race differences in criminality have nothing to do with genes – Goad deftly, yet ruthlessly, subjects to his wit-laden, withering critique. Consider the following snippet:

So for those of you who are far more socially conscious than I am, please be patient with me, because I’m just trying to keep up here – at least as I’ve been led to understand it, according to the latest science from The Global Science Foundation or whatever it’s called, homosexuality is genetically hardwired, but race and gender are only ideas, right? Is that the latest science? Got it. Booked marked and filed. I will pick that, lick that, stick that, and flick that’ (pp.237-238).

In just a few pithy lines, Goad brilliantly encapsulates that world in which we now find ourselves, a world in which empirical Truth is dictated by the Woke Mob, which can contradict other Truth with impunity, which can contradict what our senses tell us is so, and the right-thinking person should merrily and gratefully accept it as unquestionably the Truth… until, that is, that something else becomes the unquestionable Truth.

Editorial note: views expressed in this article are not thereby endorsed by the editor

Dr Edward Dutton runs the YouTube channel The Jolly Heretic: https://www.youtube.com/channel/UCMRs0Ml8RF0cWVAOeQeBxTw His recent books include: Churchill’s Headmaster: The ‘Sadist’ Who Nearly Saved the British Empire and The Silent Rape Epidemic: How the Finns Were Groomed to Love Their Abusers. Dutton can be found online at www.edwarddutton.wordpress.com

Posted in Book Reviews, Current Affairs and Comment, QR Home | Tagged , , , , , | 1 Comment

Reign of Tenor

Sondra Radvanovsky as Maddalena di Coigny, ROH 2019, photo by Catherine Ashmore

Reign of Tenor

Review of Andrea Chénier, dramma istorico, music composed by Umberto Giordano, libretto by Luigi Illica, directed by Sir David McVicar, conducted by Daniel Oren, Royal Opera, 20th May 2019, reviewed by Leslie Jones

At Contessa de Coigny’s soirée, poet Andrea Chénier condemns the church’s lack compassion for the poor and by implication that of his fellow guests. They pointedly turn their back on him. The aristocracy are evidently living in a parallel universe, in which manners, fine clothing and persiflage predominate. The performance of a short ballet, followed by a gavotte, symbolises their cocooned and refined existence. But Chénier’s impassioned and improvised declamation does not fall on deaf ears. Footman Carlo Gérard quits his position and takes off his “uniform of shame”. He allows some starving peasants (gilets jaunes?) into the château, predicting the downfall of an “evil race”. And Maddalena de Coigny (soprano Sondra Radvanovsky, on fine form) is no less moved by Chénier’s words. Judging by our clapometer, Gérard (Dimitri Platanias) and Chénier (Roberto Alagna) were not just rivals for Maddalena’s affections but for those of the audience.

As John Snelson notes in the official programme (‘Background and Foreground’) there are striking parallels between Giordano’s Andrea Chénier, first performed in 1896 and Puccini’s contemporaneous oeuvre. Both composers shared the same librettist, Luigi Illica. For the poet Chénier read the artist Cavaradossi. When Maddalena comes to plead for Chénier’s life, Gérard is prepared to force himself upon her. Like Baron Scarpia, he is a slave to “violent passions”. But unlike Scarpia, “he has a conscience and indeed will act upon it”. And Maddalena, frightened and alone after her mother’s murder by the mob, brings to mind Manon Lescaut. But the dubious notion of death as the apotheosis or triumph of love, as articulated by Chénier and Maddalena in Vicino a te s’acqueta, is distinctly Wagnerian.

Commentators consider Giordano’s “handling of French Revolutionary motifs and sentiments…remarkably cogent” (Gregory Dart, official programme, ‘Revolutionary Moments’). And Andrea Chénier is replete with crowd pleasing arias and duets. Two minor quibbles, however. First, the lack of sexual chemistry between Alagna and Radvanovsky. And second, the increasingly tiresome use of graffiti in opera. Yet all in all, a memorable evening.

Dr Leslie Jones is Editor of QR

Posted in Cultural Matters, QR Home | Tagged , , | Leave a comment

ENDNOTES: May 2019

Sir Adrian Boult, painting by Ishibashi Kazunori (Royal College of Music)

Endnotes: May 2019

From Meadow to Mayfair – Stuart Millson pays tribute to the English light music tradition

The great tone-poems of English music need little introduction: Bax’s epic evocation of Cornish myth and landscape, Tintagel, and Holst’s mysterious Dorset fantasy, Egdon Heath, are just two examples of this native genre. We might add to the list depictions of urban Britain – John Ireland’s wistful A London Overture, Vaughan Williams’s darker, A London Symphony, or even the ‘Nottingham’ Symphony by, Alan Bush. But there is also a body of work within our musical tradition which, whilst not having the introspection, or stature, or timescale of the works just listed, nevertheless presents us with a faithful representation of the places and character of our country: the orchestral tradition, as developed by composers such as Eric Coates, Haydn Wood, Ernest Tomlinson and Ronald Binge – skilled miniaturists, capable of producing pen-portraits of scenes as diverse as Oxford Street, Knightsbridge, or a sleepy Arcadian stream flowing somewhere through the heart of the shires.

Often referred to as “the uncrowned king of light music”, Northamptonshire-born Eric Coates (1886-1957) is undergoing something of a revival, thanks in great part to the work of conductors such as John Wilson, Rumon Gamba and Gavin Sutherland – all of whom have produced well-engineered recordings of his music, which have succeeded in showing a greater depth and strength to a style often considered dated. Continue reading

Posted in Cultural Matters, ENDNOTES:Music, QR Home | Tagged , , , , | Leave a comment

The Science of Power

Kirby Misperton, credit Frack Off

The Science of Power

Bill Hartley defends Fracking 

April 10th 2019 dawned with a light covering of frost over North Yorkshire. Despite this, the local BBC news announced there would be an open air tea party in the village of Kirby Misperton. The village’s population of 370 wished to celebrate the fact that it had been ‘free of Fracking for a year’.

Kirby Misperton lies in the scenic and rural Ryedale District of North Yorkshire. Anti-Fracking campaigners here have a website. The site is an example of a single issue edging towards monomania. It may be Ryedale at the moment but tomorrow it could be you, is the ominous message. There is no sense of a wider community beyond Kirby Misperton or the benefits to the nation of energy security. Incidentally, according to a recent report in the Daily Telegraph, this country spends £400,000,000 per month on imported gas. HM Mines Inspectorate estimates that if properly developed, Fracking has the potential to create 300,000 new jobs and reduce our dependence on imported supplies. None of this matters to the folk of Kirby Misperton: the big picture is displaced by a ‘not in my back yard’ attitude, masked by bad science and some shroud waving. Continue reading

Posted in Current Affairs and Comment, QR Home | Tagged , | Leave a comment

Kirstjen Nielsen, Leaving Neverland

U.S. Secretary of Homeland Security Kirstjen Nielsen answers questions from reporters

Kirstjen Nielsen, Leaving Neverland

by Ilana Mercer

The New York Times reports that “More than 76,000 migrants crossed the border without authorization in February” this year. March saw 100,000 merry migrants waltz into the U.S., undisturbed. Caravans are getting larger, not smaller. “Newcomers continue to arrive, sometimes by the busload, at the rate of 2,200 a day,” said the same source. Border agents are bracing “to meet the medical needs” of the newcomers. Monthly apprehensions average 32,012.

“Apprehension”: that’s Orwellian newspeak for you. A more accurate description is briefly stopped for a cursory wellness check before being sent on their way. For children are the charm, the magic amulet. Here’s a reenactment of “apprehension”: Customs and Border Protection agent to migrant: “Got kids?”, New arrival at the U.S. southern border, turns to a large, brooding male: “You bet.” “Pepito, say hello to the nice policeman.”American agent: “Pepito is a little hairy for a kid and he’s covered in ink.” Future American citizen from Salvador, with the aid of a translator paid for by the U.S.: “Pepito is mature for his age. It’s the chemicals. They’re killing us. Asylum. Hurry. We’re dying.”Agent sworn to protect Americans: “You’re good to go”, reported the New York Times. Stamps a bit of paper and waves the new Americans by. “Don’t forget to return for your asylum court hearing, amigos.”

Instead of this “apprehension” farce, Kris Kobach, the former Kansas Secretary of State, has highlighted the many tactical strategies that could—still can—be operationalized at the border to halt the treasonous Catch-and-Release policy ongoing. Kobach faults former Homeland Security Secretary Kirstjen Nielsen for looking to Congress for a legislative remedy. Continue reading

Posted in Current Affairs and Comment, QR Home | Tagged , , , | 2 Comments

In the Year of Three Kings

Edward and Mrs Simpson

In the Year of Three Kings 

The King Who Had to Go, Adrian Phillips, Biteback Publishing, 2016, isbn 978-1-78590-347-2, reviewed by Monty Skew

Recently revealed letters, hitherto kept secret, have dispelled any lasting illusions about Edward VIII’s short and inglorious reign during 1936. In proportion to its length, perhaps more has been written about him than any other monarch. Books continue to promise the ‘truth about the abdication’. But what more is there to say about this nonentity?

Baldwin, the prime minister, having known him before he ascended the throne, had long had misgivings. Edward was evidently no Prince Hal. In some ways the originator of celebrity culture, he was famous for being famous. Famous for being heir to the throne, then for being an unsuitable King. Then for wanting to marry a socialite divorcee. A less suitable monarch it would be hard to imagine. His exasperated father reminded him to ‘remember who you are’. The Japanese crown prince, on a visit to Buckingham Palace, was decidedly unimpressed by his encounter with the future king.

Concerning Edward’s suspected Nazi sympathies, Churchill was a supporter of the Duke, until Baldwin called him into No 10 and showed him the special branch and other reports. It is not clear if Edward was ever shown them, and there are persistent claims that certain items have not yet surfaced. And of course some things were never committed to print. Although much maligned, Baldwin, in his handling of the abdication crisis, acted for Britain. Continue reading

Posted in Book Reviews, Current Affairs and Comment, QR Home | Tagged , , , , , | 3 Comments

Befuddled Bernie Sanders

Bernie Sanders

Befuddled Bernie Sanders

by Ilana Mercer

Bernie Sanders, the senator from Vermont, thinks that “everyone should have the right to vote—even the Boston Marathon bomber … even for terrible people, because once you start chipping away and you say, ‘Well, that guy committed a terrible crime, not going to let him vote,’ you’re running down a slippery slope.”

Bernie is right about a “slippery slope.” But Bernie is worried about the wrong slope. Denying the vote to some and conferring it on others is not a “slippery slope.” It’s exercising good judgment. Insisting that the vote in America belongs to everyone, irrespective: now that’s a slippery slope, down which the slide is well underway.

As it stands, there are almost no moral or ethical obligations attached to citizenship in our near-unfettered Democracy. Multiculturalism means that you confer political privileges on many an individual whose illiberal practices run counter to, even undermine, the American political tradition. Continue reading

Posted in Current Affairs and Comment, QR Home | Tagged , , , , , , | 1 Comment

Alone on a Wide, Wide Sea

Gustave Doré, The Rhyme of the Ancient Mariner

Alone on a Wide, Wide Sea

Review of Billy Budd, opera in two acts, music by Benjamin Britten, libretto by E M Forster and Eric Crozier, conducted by Ivor Bolton, directed by Deborah Warner, Royal Opera, 23rd April 2019, reviewed by Leslie Jones

The plot of Billy Budd hangs, no pun intended, on a somewhat implausible detail. Three sailors, including Budd, played by the excellent baritone Jacques Imbrailo, have been press-ganged from a merchant ship. It is 1797, during what Captain Vere of HMS Indomitable calls the “difficult and dangerous days”, following the naval mutinies at Spithead and the Nore, that “floating republic”. Billy, now a foretopman, sings farewell to his former shipmates on the Rights o’Man. Master-at-arms John Claggart (Brindley Sherratt, suitably sinister) takes this as an endorsement of Thomas Paine’s incendiary tome the Rights of Man. He persuades the repellent Squeak, a ship’s corporal, to spy on Billy.

“Life’s not all play upon a man-of-war”. Evidently not, with flogging for minor misdemeanours, such as slipping on deck, as in the case of the hapless Novice (Sam Furness). Bloodied and bruised, he can then only crawl across the stage. The remarkable libretto by EM Forster and Eric Crozier is replete with ironic observations, including Vere’s contention that the French “want all the world to be slaves”. Continue reading

Posted in Cultural Matters, QR Home | Tagged , , | Leave a comment