Ancient Greek Dialects

Bust of Alexander the Great, credit Wikipedia

Ancient Greek Dialects

Heinrich von Siebenthal, Ancient Greek Grammar for the Study of the Greek New Testament (2019), Peter Lang Pp. x-xxii; 1-738, reviewed by Darrell Sutton

The study of ancient Greek grammar is a specialism requiring particular powers of observation. An acquaintance with Greek dialects and their syntax, proficiency in sorting and classifying data, along with familiarity with various inscriptions and the ability to elucidate it all, are skills that are needed too. Delineating the formal structures of a Hellenic language that it is no longer spoken, and one that was modified through the centuries by individuals who used it for oral and literary purposes, is a complicated matter. The Greek of Homer’s tales was the original criterion, and in consonance with their style, Grecians of succeeding generations engraved their own ideas, imparting their thoughts orally, and where possible recording them. Ancient inscriptions were composed with the knowledge that future readers – and readers from other regions – would construe those texts devoid of further clarification from the original author. People of similar and dissimilar backgrounds expressed themselves in divergent ways. Analyses of these literary expressions are pivotal to parsing and clarifying what an ancient Greek person intended to say. As a consequence, assessments of words and language-rules are important.

Heinrich von Siebenthal’s (henceforth, HvS) project was ambitious. Progressive in his approach to the mechanism of language, in his own way he reacted to dull trends that still draw semantic distinctions from insufficient data. A product of decades of research, HvS’s book [AGG] is divided into four sections: (1) Writing System and Phonology, (2) Structure of Words – Morphology (3) Syntax and (4) Textgrammar. Two appendices follow: one on ‘Classical and New Testament Greek: Differences’; the other on ‘Word-Formation’. Indices, of References, Subjects  and Greek, are included. It is a comparative analysis. The Greek of the Septuagint/LXX is not neglected. Continue reading

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Stalin’s War

HMS Sheffield escorting an Arctic convoy, credit Wikipedia

Stalin’s War

Sean McMeekin, Stalin’s War, Allen Lane, Penguin Books, London, 2021, pp.666, + Notes, Bibliography, Maps &  Photos, Index,
ISBN 978-0-241-36643-1, review essay by Frank Ellis

  1. Western Indifference to Soviet Crimes of Genocide, Mass Terror and Deportations
  2. Soviet Exploitation of the US and the Critical Role Played by Western Aid in Soviet Survival
  3. Poland Betrayed: The Nazi-Soviet Invasion
  4. The Katyn Massacre and the Commissar Order
  5. 22nd June 1941 and Stalin’s Responsibility for the Impending Disaster
  6. In Search of a Separate Peace with Hitler
  7. The Triumph of Strategic Blood Sacrifice
  8. Stalin’s War against Ethnic Minorities and  Western Complicity
  9. The Ideological Legacy of WWII and its Impact on American Life
  10. A Note on Transliteration and Translation in Stalin’s War

1. Western Indifference to Soviet Crimes of Genocide, Mass Terror and Deportations

Holodomor

In any examination of Stalin’s many wars and monstrous vendettas a fundamental question is whether the ideological core and practice of Marxism-Leninism-Stalinism constituted a greater catastrophe for the world than National Socialism. McMeekin does not explicitly address this question in Stalin’s War but it is intrusive and ever present, along with the millions of Stalin’s victims, the executed, the tortured, the starved, the betrayed, the imprisoned, those deported and worked to death, and the raped, all crying out to be heard, demanding to be heard. Continue reading

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Sex, Lies and Audiotape

7, James Street, Cardiff, credit Wikipedia

Sex, Lies and Audiotape

A Killing in Tiger Bay, 3 Episodes, BBC Two, reviewed by Leslie Jones

In 1988, prostitute Lynette White was brutally murdered in Butetown, Cardiff. The prime suspect, identified on Crimewatch, was a bloodied and confused white individual, seen near the location of the murder, 7 James Street. But as time passed with no arrests ensuing, South Wales Police came under increasing media and public pressure. The search for the perpetrator was superseded by the need to convict someone. In due course, five black and mixed race men, namely John Actie, Tony Paris, Yusef Abdullahi, Ronnie Actie and Stephen Miller, Lynette’s ‘boyfriend’, were accused of White’s murder. All of the defendants were known to the police. All had alibis.

The trial was switched from Cardiff to Swansea, where convictions seemed more likely, as there was no black community there. One of the key witnesses for the prosecution was prostitute Leanne Vilday, who, like the ‘Cardiff Five’, had been subjected to remorseless police pressure. Another witness, Angela Psaila, reportedly had an IQ of 55. The judge in the trial died of a heart attack, necessitating a re-trial. Three of the defendants, Tony Paris, Yusef Abdullahi and Stephen Miller, were eventually found guilty and sentenced to life imprisonment. Continue reading

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Full Circle

Hunslet Mills, credit Wikipedia

Full Circle

by Bill Hartley

The South Leeds Stadium lies at the heart of a complex which provides a wide variety of sports facilities. Such is the range available that it may help explain why the cities’ athletes pick up so many medals at the Olympic Games. The stadium lies in Hunslet about a mile from the city centre and it is also home to Hunslet RLFC, the other rugby league club in Leeds, who returned to the district after a nomadic existence which saw them move home six times.

Hunslet itself is one of those places a motorist may hardly notice when leaving the city. Even some of the locals would find it difficult to tell you where it begins or ends. There’s a big open space where the Tetley Brewery used to stand. Tetley, a name formerly synonymous with Leeds, was a victim of rationalisation, when the brewery combine who took it over shut the place due to ‘overcapacity’. Much of its output used to go into Hunslet, a district once known as the workshop of Leeds, though it had competitors for the title. The list of enterprises which used to operate there is a long one and a snapshot of Victorian industrialisation at its height: foundries, malthouses, heavy engineering and a giant gasworks. Until the 1970s Hunslet was also overlooked by allegedly the filthiest power station in the country. It may have inspired the late Keith Waterhouse to describe his birthplace as ‘the city of dreaming cooling towers’. Continue reading

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ENDNOTES, September 2021

Semyon Bychkov

ENDNOTES, September 2021

In this edition: British oboe quintets, from Chandos Record; Holiday music by Elgar; reviewed by Stuart Millson; Coda, Romancing the Dome, by the Editor

The Doric String Quartet accompanies Nicholas Daniel, oboe, on the Chandos label in a new issue of quintets by Arnold Bax, Gerald Finzi, Ralph Vaughan Williams, Arthur Bliss and Frederick Delius – although in truth, only the Bax and Bliss works from the 1920s are specifically named by their composers as “quintets”. The Vaughan Williams contribution to the programme, the impressionist-in-timbre Six Studies in English Folksong from 1928, for example, appears in a 1983 arrangement for cor anglais; and there is an earlier version of the work (again on Chandos) for clarinet and piano. The Delius item is an arrangement of Two Interludes from Fennimore and Gerda, crafted by the composer’s amanuensis, Eric Fenby. The Finzi work dates from the 1930s and is entitled Interlude (Op. 21) for oboe and string quartet; a work in a single movement that carries the composer’s distinctive gift for pastoral melancholy, yet personal strength of feeling and harmonic individuality.

A melancholy mood sets the stage at the opening of Bax’s quintet, a sense of the Celtic twilight for which the composer (a lover of Irish culture) was renowned. Nicholas Daniel plays the gentle, rolling opening of the work superbly – with a wave of emotion soon appearing from the strings (a moment reminiscent of Warlock’s astringent meditation on loss, The Curlew). Folk-like fragments begin to appear in the music – more momentum develops, and then, like a tide beginning to ebb, another lull appears, with the oboe serenading us and gentle whispers from strings answering in turn. Continue reading

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The Kaiserreich’s Militant Tendency

Kaiser Wilhelm II, portrait by Max Koner, credit Wikipedia

The Kaiserreich’s Militant Tendency

Werner Sombart, Traders and Heroes; Patriotic Reflections, translated with a forward by Alexander Jacob, Arktos, London 2021, 115pp, reviewed by Leslie Jones

The sociologist and economic historian Werner Sombart (1863-1941), a former student of Gustav von Schmoller, was Professor of Economics at Breslau, then at Berlin. During the earlier stages of his career, “der rote Professor” and historian of socialism was profoundly influenced by Marxism and upheld the progressive role of the English trade unions under ‘late capitalism’. But as Vitantorio Gioia observes [i], around 1911 there was a marked turn in Sombart’s thinking, an epistemological gap, signalled by the publication of The Jews and Modern Capitalism. The latter study constitutes both a critique of historical materialism and a riposte to Max Weber’s The Protestant Ethic and the Spirit of Capitalism (1904-5).

Sombart believed that without the input of the Jews, the development of capitalism would not have been possible, for they had “given certain aspects of economic life the specific features they bear”. The Jews had substituted “economic rationalism for time-honoured tradition”, pursuing business for its own sake and recognising “the supremacy of gain” over any other factor. [ii] Now that he regarded the acquisitive spirit as immoral and destructive, Sombart viewed the medieval guilds in a favourable light. And he regretted the declining significance of Christianity which had once been a counter-weight to the commercial spirit. As for the goals of the English trade unions, these were now dismissed as “nothing more than capitalism or commercialism with inverse insignia’, since their members put comfort before all else. Continue reading

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Bringing the Military-Industrial Complex Home

The Last Stand, by William Barnes Wollen, 1898, credit Wikipedia

Bringing the Military-Industrial
Complex Home

 by Ilana Mercer

With the American media as master of ceremonies, pundits and politicians—all partners in the neocon-neoliberal joint venture in Afghanistan—are barking mad over the images coming out of the Hamid Karzai International Airport in Kabul, and the reality these optics portend. Naturally, media “reporting” from Afghanistan is nothing but unremitting sentimental gush, aimed at creating a state of heightened emotions. “The children; the children; the translators; the translators. Americans held hostage behind enemy lines. ‘Teach the Taliban a lesson, Corn Pop,’” demanded a “macho” personality at Fox News. The same litany runs on a continuous loop.

Forbes reporters dissolved into puddles of tears at the sight of U.S. Air Force pilots bringing in plane loads of young, strong, military-aged men, unfreighted by women and children. On August 20, about 5,700 people had been flown out of Kabul. Only 169 were American. “Make no mistake,” slobbered Forbes, “lifting six times more people than an aircraft is designed to seat is a heroic achievement of logistics, skill and sheer grit.” I for see a medal of commendation for the pilot, who commandeered a U.S. Air Force C-17 to airlift 800 Afghani passengers from Kabul to Qatar. Continue reading

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Biden Decamps from Afghan Hellhole

C17s support Afghanistan drawdown, 2021, credit Wikipedia

Biden Decamps from Afghan Hellhole

by Ilana Mercer, August 19, 2021

Yes, we know it was chaos, but then again there was no good way to leave that dusty “shithole,” as the much-missed Donald Trump would have put it. Joe Biden was right in his “Remarks on Afghanistan“: “… if Afghanistan is unable to mount any real resistance to the Taliban now, there is no chance that one year — one more year, five more years, or 20 more years of U.S. military boots on the ground would’ve made any difference.” Tempting as it is for right-thinking conservatives and paleolibertarians, in particular, to use the inevitable collapse of the charade in Afghanistan against Biden—honesty demands that we avoid it.

TV Republicans, no doubt, will join the shrill CNN and MSNBC females and their houseboys, who love nothing more than to export the American Nanny State, in bashing Biden for his decisive withdrawal. The president said, “I stand squarely behind my decision. After 20 years, I’ve learned the hard way that there was never a good time to withdraw U.S. forces.” Falling into the Republican line of partisan, tit-for-tat retorts is wrong. The man made the right choice—as opposed to Barack Obama’s. Indeed, Afghanistan was a war Obama had embraced . Continue reading

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Verdi’s Luisa Miller

Guiseppe Verdi by Giovanni Boldini, credit Wikipedia

Verdi’s Luisa Miller

Glyndebourne, Saturday 7th August 2021, reviewed by David Truslove

Glyndebourne is in full swing this summer after reopening its doors in May with Káťa Kabanová. Since then, there’s been Il turca in Italia and Così fan tutte. Luisa Miller, Verdi’s middle period opera first performed in Naples in 1849, is currently receiving its debut at this Sussex venue. Linking all four stage works is the conflict between love and duty. Glyndebourne’s Artistic Director Stephen Langridge suggests that the “institution of marriage often represents the duty aspect, an opposing force to unruly anarchic romantic love”. This antagonism is at the heart of Luisa Miller.

Based loosely on Friedrich Schiller’s tragedy Kabale und Liebe (Conspiracy and Love), Luisa Miller is rich in human detail and powerful emotions, but it also focuses on class conflict and the corruption of power. Indeed, Verdi’s work closely follows the Year of Revolution (1848) and a period of bitterly resented despotism of King Ferdinand II. Power struggles emerge in Luisa Miller when Rodolfo, the son of the tyrannical Count Walter, challenges his father’s plans for him to marry the duchess Frederica. But Rodolfo is in love with the young country girl Luisa, the daughter of Miller, an old soldier who is one of the Count’s tenants. Abduction, blackmail and betrayal ensue and when the truth is finally disclosed the two lovers drink from a poisoned cup (Luisa unwittingly) and Rodolfo kills Count Walter’s henchman, the scheming Wurm. Continue reading

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Financial Terrorism and Social Excommunication, part 2

Clarence Thomas, credit Wikipedia

Financial Terrorism and Social Excommunication, part 2

Ilana Mercer, on Justice Thomas’ Solution 

The Anti-Defamation League (ADL) is a meddlesome, shakedown operation, in the mold of the Southern Poverty Law Center, that has taken it upon itself to decide who lives and who dies socially and financially. The ADL deems people like Pat Buchanan and Tucker Carlson  to be mired in white supremacism. PAYPAL HOLDINGS, Inc, is an indispensable, American, global corporation, without whose services, financially transacting online is difficult. The company is worth $16.929 billion. The ADL and PayPal have conspired to ferret out “bigotry and extremism” from the financial industry, by which they mean ban thought crimes.

“Racism—systemic or other—remains nothing but thought crime: impolite and impolitic thoughts, spoken, written or preached. Thought crimes are nobody’s business in free societies.” In response to this particular collusion against thought crimes, Fox News personality Tucker Carlson stays chipper. But this is not sufficient a solution from so powerful a persona as Mr. Carlson. Continue reading

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