What the Ancients did for Us

Claude Lorrain, Apollo Muses

What the Ancients did for Us

Michael McManus, on our pagan heritage

The pre-Socratic pagan philosopher Anaxagoras took two pots of paint, one black and one white. He took a drop of white and added it to the black, then a drop of black and added it to the white. There, said he, mixing them. We know that both pots have changed colour – that is a fact – but we cannot tell the difference with our senses. If our senses are unreliable on such a basic detail in front of our eyes, then how can we be forever certain of anything else – especially how states should be organised or people ruled?

If by ‘us’ is meant conservatives, then pre-Socratic philosophers did a lot for us. Many of them favoured the conservative, pragmatic, cautious, live-and-let-live approaches to knowledge and policy that eschew the arrogance and certainty of dogma and ideology. ‘In human affairs,’ wrote Xenophanes, ‘there is no certain truth, and all our knowledge is but a woven web of guesses.’ Empedocles cautioned against our tendency to assume that we know more than we do: ‘Having seen only our own part of life, swift to die, we fly away like smoke, certain only of what we have met ourselves.’ Heraclitus pondered on the link between time and change and famously concluded that not only can we never step into the same river twice but that we ourselves are not the same person that we were on the first occasion. Ideologues imagine that they can implement a fixed system of state rule that applies once and for all: one man, one vote, one time, as a satirist put it. Lacking such arrogance, born of a cramped knowledge of the world, conservatives remain humble in the face of changing events. Beware the person of one book, cautioned Aquinas. He might have had twentieth century communists and theocrats in mind. Continue reading

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ENDNOTES, February 2020

Ethel Smyth and her dog Marco, 1891

Endnotes, February 2020

Ethel Smyth’s Mass in D; overture to The Wreckers;  and a recital at Middle Temple Hall, reviewed by Stuart Millson

Ever since the revival of Ethel Smyth’s opera The Wreckers in 1994 (a once-famous piece, championed by such figures as Bruno Walter and Sir Thomas Beecham) there has been a growing interest in the work of this Edwardian socialite who was also a political radical and suffragette. Recently, the BBC Symphony Orchestra and Chandos Records joined forces for the first recording of Dame Ethel’s Mass in D, a work of enormous power and fervour; a piece in which Smyth scales the heights alongside Parry and Elgar – and which bears witness to her associations as a student at Leipzig with figures such as Grieg, Dvorak and later Johannes Brahms.

Writing the work on the Royal Yacht of Empress Eugenie of France, Smyth dedicated the piece to a well-to-do Anglo-Irish family, the Trevelyans – in particular, to the daughter of the house, Pauline. The composition of the piece seems to have accompanied a religious crisis for its creator – a possible conversion from Anglicanism to Catholicism, but a journey that was never made. Continue reading

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F.W. de Klerk’s Great Betrayal

F.W. de Klerk

F.W. de Klerk’s Great Betrayal

by Ilana Mercer, sometime citizen of South Africa

On February 2, 1990, 30 years ago, F.W. de Klerk, South Africa’s last white president, turned the screws on his constituents, betraying the confidence we had placed in him. I say “we,” because, prior to becoming president in 1989, Mr. de Klerk was my representative, in the greater Vereeniging region of Southern Transvaal, where I resided. (Our family subsequently moved to Cape Town.)

A constellation of circumstances had aligned to catapult de Klerk to a position of great power. In 1989, a severe stroke forced the “The Crocodile,” President P.W. Botha, from power. Nothing in the background of his successor, President F.W. de Klerk, indicated the revolutionary policies he would pursue.

In a 1992 referendum asking white voters if they favored de Klerk’s proposed reforms, we returned a resounding “yes.” Sixty-eight percent of respondents said “yes” to the proposed reforms of a man who sold his constituents out for a chance to frolic on the world stage with Nelson Mandela. For surrendering South Africa to the ANC, de Klerk shared the Nobel Peace Prize with Mandela. Continue reading

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Life on the Line

Liverpool, Lime Street Railway Station, then

Life on the Line

 by Bill Hartley

Railways are back in the news with the HS2 project under fresh scrutiny, due to the cost estimate having risen to an eye watering level. The latest figure is about three times what Britain spends annually on defence. But Greater Manchester mayor Andy Burnham is warning of dire political consequences should the project be curtailed at Birmingham.

Whilst moving from north to south in Britain isn’t too bad, the real area of neglect lies east to west. On a journey along the Trans Pennine route, say from Leeds to Liverpool, crumbling Victoriana carry state of the art rolling stock. How the two have merged and survived is remarkable. How much longer it can continue without substantial investment is questionable.

The line is used in some unusual ways. Outside peak periods a new kind of traveller took to the tracks. The story began many years ago at Stalybridge in Greater Manchester. The station has an independently run buffet bar free from the corporate awfulness of the standard railway franchise and they sell proper beer. Word got round and students crossing the Pennines began to stop off for a ‘quick drink’. Continue reading

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In a Royal Line

Ermonela Jaho, photo by Russell Duncan (c)

In a Royal Line

‘An Evening with Rosina Storchio’, recital of songs and operatic arias sung by Ermonela Jaho, accompanied by Steven Maughan at the piano, Sunday 2nd February 2020, Wigmore Hall, London, reviewed by Leslie Jones

This was soprano Ermonela Jaho’s Wigmore Hall debut, on the 50th anniversary of Opera Rara, for whom she undertook the title role in Leoncavallo’s Zazà in 2015 and the part of Anna, in Puccini’s first opera Le Willis, in 2018. A CD containing the repertoire featured in this recital, entitled Homage to Rosina Storchio, will be released later this year.

Opera has its own rich history, enhanced by the availability on the web of classic performances by its luminaries. Musicologist Ditlev Rindom reminds us in the official programme that Puccini and Toscanini were passionate admirers of Rosina Storchio, whose stellar career lasted from 1892 to 1923. She also appeared in the world premieres of Leoncavallo’s La bohème, Mascagni’s Lodoletta and Puccini’s Madama Butterfly (the latter in Milan, in 1904). How appropriate, then, that Ms. Jaho’s encore was ‘Un bel di vedremo’. Continue reading

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Getting the Canadian Right

Carle Hessay, Abstract No. 25

Getting the Canadian Right

by Mark Wegierski

There are currently three main groups in Canada that do not understand the Canadian Right — the media, the other parties, and conservatives themselves. In the last few decades, Canadian conservatism has been hurt by its too-ready association with the U.S. Republican Party, and a lack of knowledge of its own roots and history. Actually, the bivalent term “Red Tory” can represent some of the best tendencies of Canadian conservatism (such as those articulated by Canadian traditionalist philosopher George Parkin Grant), as well as a less-salubrious, opportunistic embrace of left-liberalism. The so-called “right-wing” of the Conservative Party has been marked by an infatuation with “free market philosophy” and the reduction of all policy to tax-cuts and budget-cuts. Yet free-market fundamentalism has not traditionally been a hall-mark of conservatism in Canada.

At the same time, social conservatives who care about social and cultural issues have become bogged down in the now-fruitless debate over abortion rights and same-sex marriage. Like it or not, the latter have become an indelible part of the Canadian political landscape. Nevertheless, it is still possible to promote pro-family policies (especially through the tax-system) that can win broad acceptance in Canadian society today. For example, the tax-penalty on households with one main breadwinner in the marriage should be ended. Continue reading

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Democracy Dies in Diversity

Robert Delaunay, Windows Open Simultaneously

Democracy Dies in Diversity

by Ilana Mercer 

“Dissatisfaction with democracy within developed countries is at its highest level in almost 25 years,” say researchers at the University of Cambridge. “The UK and the United States had particularly high levels of discontent.” No wonder. Certainly, America is a severely divided country. “Severely divided societies are short on community,” and “community is a prerequisite for majority rule,” argues Donald L. Horowitz, a scholar of democracy at Duke University.

Having studied “constitutional engineering” in divided societies like South Africa, Horowitz has concluded that, “In societies severely divided by ethnicity, race, religion, language, or any other form of ascriptive affiliation, ethnic divisions make democracy difficult, because they tend to produce ethnic parties and ethnic voting. An ethnic party with a majority of votes and seats can dominate minority groups, seemingly in perpetuity.” (Journal of Democracy, April 2014.)

The Democratic Party has morphed into such a political organ. It’s responding to the fact that minorities in the U.S. will soon form a majority. This rising majority, as polling trends indicate, will speak in one political voice, for most immigrants to the United States are not from Europe and Canada, but from Latin America and Asia, south and east. And this cohort of immigrants is reliably progressive: it votes Democratic. Likewise, the poor and the un,1–more–>skilled are well-represented among our country’s immigrant intake. It’s the way we roll. Poor immigrants favor the rearranging of the income curve in their new home. Continue reading

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Gone AWOL

The Duke and Duchess of Sussex

Gone AWOL 

Ilana Mercer on Megxit

His wife, a hero of sorts only in the TV series “Suits,” had hightailed it to Canada, leaving Harry Windsor, formerly known as Prince Harry, to deliver a concession speech. Make no mistake—no matter the moola they rake in, Harry and Meghan Markle have been sorely defeated and deflated.

Earlier in January 2020, the stumblebum Sussexes had smugly announced to the public that they “planned to carve out a progressive new role within this institution.” The unavoidable implication of that sleight-of-hand was that “this institution” (the monarchy) was just not woke enough for the two’s exquisitely honed sensibilities. Gallantly has Harry tried, since, to make his subjects believe that it is he, not Meghan Markle—his meddlesome American wife—who had attempted, and failed miserably, to outsmart Queen Elizabeth II. But the crass and callous rollout production, lacking in etiquette and contemptuous of royal protocol, fell flat. Continue reading

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Boy’s Zone

A scene from La Bohème by Puccini, Royal Opera 
©Tristram Kenton, 01/20

Boy’s Zone

La Bohème, opera in four acts, music by Giacomo Puccini, libretto by Giuseppe Giacosa and Luigi Illica, Orchestra of the Royal Opera House conducted by Emmanuel Villaume, director Richard Jones, third revival of the 2017 production, Royal Opera House, Monday 20th January 2020, reviewed by Leslie Jones

La Bohème contains two contrasting views of life. One view, tinged with pessimism, is articulated by the painter Marcello, who is cynical and at times misanthropic. Referring to his on-off partner, he speaks bitterly of “…that enormous glacier, Musetta’s heart”. Musetta is avowedly attention seeking, an incorrigible flirt. Marcello contends that “Her favourite food is the heart…”. The other take on life is that embodied by the poet Rodolfo, an idealist and unrepentant romantic. He confides that “…in my happy poverty I squander like a prince my poems and songs of love”. He discerns in Mimi a kindred spirit and “…the dream I’d dream forever!”  Oh, sweet age of utopias!”, Marcello opines, “You hope and believe and all seems beautiful”. Continue reading

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Punishing Agenda of the Anti-Punishment Movement

Jean-Michel Basquiat, untitled, 1884

Punishing Agenda of the Anti-Punishment Movement

by Ilana Mercer

On November 29, 2019, a man now called the London Bridge terrorist slaughtered British student Jack Merritt. While the perpetrator has been named after a famous London landmark, his victim has been all but forgotten. The killer’s family was quick to condemn the London Bridge terrorist’s actions. The family of his victim—not so much. David Merritt, the late lad’s dad, criticized those who would like to see that killer and his ilk spend their lives in a prison cell. On December 2, Merritt the elder was already penning op-eds about clemency and leniency for criminals like the man who murdered his son. Such forgiveness would have been Jack’s wish, asserted Merritt senior, rather presumptuously—for how can the living speak for the dead?

David Merritt then proceeded to minimize what was murder with malice aforethought, by dismissing what his son’s killer did as a “tragic incident.” An insight into the progressive mindset can be gleaned from what Mr. Merritt wrote:

“If Jack could comment on his death – and the tragic incident on Friday 29 November – he would be livid. We would see him ticking it over in his mind before a word was uttered between us. Jack would understand the political timing with visceral clarity.
He would be seething at his death, and his life, being used to perpetuate an agenda of hate that he gave his everything fighting against. … What Jack would want from this is for all of us to walk through the door he has booted down, in his black Doc Martens.
That door opens up a world where we do not lock up and throw away the key. Where we do not give indeterminate sentences … Where we do not slash prison budgets, and where we focus on rehabilitation not revenge.” [Emphasis added.] Continue reading

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