Brexit: the Movie

every once in a while in your life you reach a decision point. a crossroad leading left or right. you can not look far enough to make the perfect step, but you have to decide anyways. is it left or right? or even turning back?

Brexit: the Movie

Directed and narrated by Martin Durkin, reviewed by Robert Henderson

As an instrument to rally the leave vote this film is severely flawed. It starts promisingly by stressing the loss of sovereignty, the lack of democracy in the EU and the corrupt greed of its servants (my favourite abuse was a shopping mall for EU politicians and bureaucrats only – eat your heart out Soviet Union) and the ways in which Brussels spends British taxpayers money and sabotages industries such as fishing. Then it all begins to go sour.

The film’s audience should have been the British electorate as a whole. That means making a film which appeals to all who might vote to leave using arguments which are not nakedly ideological. Sadly, that is precisely not what has happened here because Brexit the movie has as a director and narrator Martin Durkin, a card carrying disciple of the neo-liberal creed. Continue reading

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Hail, Caesar!

Herbert Marcuse, 1955

Hail, Caesar!

Directed by the Coen brothers, reviewed by Dr John K Press 

Hail, Caesar! is another Coen Brothers masterpiece. Culturist themes abound in this film (see www.culturism.us). We can take it as a parable asking us to choose between worshipping Caesar and God; as questioning America’s economy moving from industry to culture; and as showing how religion and the modern intersect. But, more significantly, Hail, Caesar! high lights the disjuncture between the wholesomeness of the films of the 1940s and early 1950s and the apparently seedy reality behind the scenes. Yet, in reminding us how pure they were, Hail, Caesar! makes us consider how degenerate today’s films are.

Furthermore, as it features communists in the film industry, Hail, Caesar! suggests that today’s films became unwholesome due to a communist plot.

The tagline of Hail, Caesar! is ‘Lights. Camera. Abduction.’ And the abduction it ostensibly refers to is the kidnapping of a movie star (George Clooney) by a group of communists. But this tagline also stands for the communists’ abduction of our entire culture by the ‘Lights [and] Camera’ of our film industry. To make the symbolism clearer, when captured, the movie star is dressed as a Roman – a symbol of western civilization, power and stoic virtue. The movie being filmed when Clooney is abducted, Hail, Caesar!, is a re-make of Ben-Hur: The Story of The Christ. We see a meeting wherein religious leaders discuss its potential to offend Christianity that bulwark against subversion. These meetings are now evidently off the agenda. Continue reading

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How the Cult of the Kid is Undermining America

Child_beauty_pageant

How the Cult of the Kid is Undermining America 

By Ilana Mercer, sociologist manqué

There were likely no kids on board Egypt Air Flight 804 that crashed into the Mediterranean Sea, on May 19. Had there been kids on board, we’d be hearing about it a LOT.

Of the 224 people on board the Russian metro jet airbus—it crashed in March—17 were children. I know this because each time TV anchors reported about the plane that went down in the Sinai desert, near El Arish (once way safer because under Israeli control), they counted the kids.

Is the death of a child more of a loss than the death of an adult? Apparently so. Adult lives matter less. Continue reading

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Howard’s House Hotel

Howard's House Hotel - Winter

Howard’s House Hotel – Winter

Howard’s House Hotel

Reviewed by Em Marshall-Luck

Howard’s House Hotel is found in the idyllic Wiltshire village of Teffont Evias, set amidst pure tranquillity. To reach it, one steps back delightfully into the past, as one twists down tiny winding lanes past ancient houses built of old grey stone with mullioned windows and well-established cottage gardens.

After squeezing through the narrow stone gates into the car park, one receives a friendly welcome in the reception. We were taken through at once into the lounge, the main feature of which is a huge grey-stone Tudor fireplace, with which the modern, sometimes slightly abstract, paintings and photographs of the room look at odds. Other charming old features include a lions head set into the wall, an antique pair of bellows on a stand and the stone mullioned windows; Continue reading

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Oedipe

Louis Bouwmeester as Oedipus in a Dutch production of Oedipus Rex, c. 1896

Oedipe

The Royal Opera House, Oedipe by George Enescu, Orchestra of the Royal Opera House conducted by Leo Hussain, directed by Álex Ollé and Valentina Carrasco, 23rd May 2016, reviewed by Leslie Jones

Igor Stravinsky’s Opera-oratorio Oedipus Rex is focused on the dénouement of Sophocles’ tragedy in plague stricken Thebes, when Oedipus realises that he is unwittingly guilty of parricide and incest and blinds himself with golden pins. In contrast, George Enescu (1881-1955), in his much longer opera Oedipe, incorporates the whole of Sophocles’ dissertation on the tyranny of fate, from Oedipus’s birth to his twenty year rule in Thebes, and then his exile and death, as related in Oedipus Tyrannus and Oedipus at Colonus.

In the memorably staged first scene, Act one, of Royal Opera’s Oedipe, the birth of Oedipus to King Laìus and Queen Jocaste is heralded as a joyful occasion. Continue reading

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Left-Liberalism’s Homo-Eroticism

self-flagellation

Left-Liberalism’s Homo-Eroticism

Ilana Mercer highlights the left’s moral masochism

A Norwegian man was raped by a Somali asylum seeker. The last term—Somali asylum seeker—is something of a contradiction like the first (Norwegian man). The asylum-seeker honorific is given to practically anyone from the Dark Continent or the Middle-East who washes up on Continental Europe’s shores.

The politician, Karsten Nordal Hauken, who says he’s heterosexual, went public with details of his awful ordeal. “I was raped by a Somalian asylum seeker,” he wrote in a Norwegian newspaper. “My life fell into ruin.”

But it was Nordal Hauken, not his assailant, who proceeded to assault sensibilities with a confession that rivals the crime for reprehensibility. Hyperbole? I don’t think so.

As Hauken, a self-described left-wing feminist, tells it, he has been wracked by guilt because his Somali assailant is to be returned to sender. After resting up in a Norwegian prison, the rapist is to be deported to Somalia. Hauken laments being overcome by “a strong feeling of guilt and responsibility. I was the reason that he would not be in Norway anymore … .”

And: “I see [the Somali] mostly like a product of an unfair world, a product of an upbringing marked by war and despair.” (This liberal peppers his writing with lots of “likes,” “millennial teen-talk,” as Patrick Buchanan termed these linguistic deformations.)

In his perversity, our leftist political powerbroker further characterized the light sentence given to his rapist by the Norwegian State as “the ultimate revenge,” meted out by “an angry father confronting it’s [sic] child’s attacker.” Mr. Hauken also moans that Mr. Priapus would be “sent to a dark uncertain future in Somalia,” instead of enjoying, presumably, the bright future that awaits a man with his priapic proclivities in Norway.

A somewhat shallow analysis of this sorry specter was offered up in the British Spectator. It chalks up Hauken’s confession to a simple case of “Stockholm syndrome,” used to describe hostages who take on the perspectives of their kidnappers. “Perhaps the Hauken case,” opines The Spectator’s Douglas Murray, “could be used to coin the term ‘Norway syndrome,’ an affliction that causes rape-victims to feel concern over the prospects of their rapists?”

Tellingly, The Spectator writer collapses the distinction between the reaction of this male heterosexual and that of another rape victim: “a ‘no-borders’ activist on the French-Italian border.” She “was gang-raped by a group of Sudanese immigrants but was persuaded to keep quiet about her own rape, in case it was used to undermine the open-borders cause.”

However, as far as we know, the raped woman has never publicly expressed a kinship with her gang rapists and is said to have been coaxed into silence.

Good or bad, the Norwegian Nordal Hauken has spoken openly about a reality few straight men would reveal: rape by another man. Hauken, not the female vanquished by the invaders, is the one said to feel for his violator.

Certainly Hauken shares his inappropriate feelings more promiscuously than any woman would.

Indeed, the liberal program, by and large shared by official conservatism, aims to dissolve “the constitution of man” in the service of sexual sameness. It is predicated on the imbecilic belief that biology is incidental, and that men and women are essentially interchangeable.

Egalitarianism, the goal of the Left and the Political Right, rests on the blunting of male-female differences. In the service of egalitarian sameness, the man-vs.-female biological imperatives are rapidly, if reflexively, being dissolved.

Survival, however, has a biological dimension. A submissive, effete civilization, made up of men like Mr. Hauken will not endure.

The repulsive specter of Karsten Nordal Hauken just about turning the other cheek to the man who spread both his cheeks is not an isolated case. The pale, liberal patriarchy is a pioneer in forever scrutinizing itself for signs of racism and deficits in empathy toward “The Other,” while readily accusing others like it of the same.

It’s as though liberal men derive homo-erotic pleasure from bowing-and-scraping to assailants and ceding to racial claims-making.

Could it be that left-liberalism has a powerful homo-erotic component? Who knows, but its faithful seem to be queering at a rapid pace.

Ilana Mercer is a paleolibertarian writer, based in the U.S.  She pens WND’s longest-standing, exclusive paleolibertarian column, “Return to Reason.” She is a fellow at the Jerusalem Institute for Market Studies. Her latest book is “Into the Cannibal’s Pot: Lessons For America From Post-Apartheid South Africa.” Her website is www.IlanaMercer.com.  She blogs at  www.barelyablog.com   Follow her on Twitter:  https://twitter.com/IlanaMercer “Friend” her on Facebook: https://www.facebook.com/ilanamercer.libertarian

 

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Summer Wines

vdpaude66

Summer Wines

Em Marshall-Luck proposes a selection

The two rosés in this May batch of wine recommendations proclaim with clarion call that spring is at last here, and summer on its way. They are well-matched by one superb-value budget-price white and mid-higher range red whose intriguing secrets need to be teased out with breathing; and a celebratory cider, perfect for a refreshing post-ambulatory drink in the emerging sun.

To commence with the rosés: one whiff of Haut Vol 2015 at once conjures up the long lazy days of summer; picnics in the countryside by clear running streams or serene lakes – or, indeed, relaxing in the warm Mediterranean landscapes from which the wine comes. Continue reading

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Trump Addresses America’s Debt

Donald_Trump May

Trump Addresses America’s Debt

Stephen Michael MacLean’s take on Trumponomics

‘The Open Conspiracy.’ That is what Henry Hazlitt, the renowned New York journalist, called the political effort to ‘monetise the debt’ by inflating the currency so that U.S. government debts incurred to-day will cost less to pay to-morrow; or, as is the case, years into the future — if ever.

But in an interview with CNBC on 5th May, Donald Trump, presumptive Republican presidential candidate, took a swing at the conspiracy by matter-of-factly stating that, as President, he would seek to restructure the payment of U.S. Treasury bonds at lower returns. Continue reading

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Paul Ryan, a Guy who Never Built a Thing

Paul Ryan

Paul Ryan

Paul Ryan, a Guy who Never Built a Thing

Mercer macerates mental midget

As of May 7, the outgoing neoconservative priestly cast had raised its game. Since Donald Trump has effectively clinched the Republican Party’s nomination, based on his America First platform, they had an ultimatum for him: Stop your nonsense and we’ll take you back.

If Trump quits denouncing George Bush and his Good War, and starts to blame only Barack Obama for Iraq—said commentator-cum-soldier-cum-global crusader Pete Hegseth to an exultant Gretchen Carlson at the Fox News Channel—all would be forgiven. Recall, Trump called Bush a liar and went on to win South Carolina … and Nevada. He continues to denounce the “made by Bush” Iraq war. Continue reading

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ENDNOTES, 16th May 2016

Claire Hammond

Clare Hammond

ENDNOTES, 16th May 2016

In this edition: Interview with Royal Philharmonic Society Award-winner, Clare Hammond * German and French recorder concertos * Brahms, Piano Quintet from Chandos * Looking forward to the Proms – in London and Cardiff.

A stream of CDs arrives each month on our desk, with a recent eye-catching new recording from the Swedish label, BIS, which – in its clean, sharp, immaculate packaging – often champions contemporary music. Kenneth Hesketh (b. 1968) is a British composer who seems to have developed an unparalleled sound-world: a modern impressionism of unceasing invention; of suspension and movement; of layers of sound – varying from (as in the 12-movement work, Horae (PRO CLARA) (Breviary for Clare) from 2012) the sound of “the tiniest humming bird” and an “evening full of linnet’s wings” – to a desolate Molto misterioso, ‘for now we see through a glass, darkly’. Performed by Royal Philharmonic Society Award-winner, Clare Hammond (she secured this year’s prestigious RPS ‘Young Artist’ category, and is also a dedicatee of Hesketh’s work) the new disc*, produced by BIS engineer, Robert Suff, must rank as one of the most thought-provoking productions of new music to have appeared in recent years. Continue reading

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