
Sir Edward John Poynter, The Visit of the Queen of Sheba to Solomon (detail)
High-flyer
Solomon, an oratorio in three acts, music by George Frideric Handel, text anonymous, orchestra conducted by Christian Curnyn, a collaboration between The Royal Opera and Early Opera Company, Covent Garden 11th October 2018, reviewed by Leslie Jones
Actors should never appear with children or animals. They can upstage you. The countertenor seems to enjoy an analogous advantage over his fellow performers, especially when the singer in question is as technically gifted as Lawrence Zazzo, in the role of King Solomon. With his floral waist coat and his extrovert manner, his imperious demeanour and expressive hands, he commanded the stage like royalty and at times seemed to be enjoying a private joke – “Happy, happy Solomon”, indeed. His stand out performance drew several rounds of spontaneous applause. Soprano Sophie Bevan, who combined the roles of his wife and the first harlot, also excelled. Continue reading


















Dante’s Wake
Gustav Doré, Inferno
Dante’s Wake
Ian Thomson, Dante’s Divine Comedy; A Journey Without End, Head of Zeus, £18.99, 2018, reviewed by Stoddard Martin
Age after age has found Dante speaking to and for them. Ours may be another: we shall see. At present it is fashionable to confine socio-political opponents to a notional inferno– ‘Lock her up!’ etc. Public humour, if extant, tends towards the sarcastic and savage; torments and tortures are envisaged by our present-day Guelphs for Ghibellines and vice versa. The banking magnates of 13th century Florence have their loathed contemporary counterparts. Too many of us seem to be of ‘the worst’ who are ‘full of passionate intensity’*.
Ours is an age, in short, full of the incivility apparent in the first, most read, most translated and adapted part of The Divine Comedy. The follow-up question is this: do we have equivalent purgatorios and paradisos to move to? Do the ‘sunny uplands’ of Brexit resemble this? Does an America made ‘great again’? Where are the Virgils and Beatrices guiding our progress? Do we revere epic predecessors? Is there a sublime Ewig weibliche which may zieht uns hinan or at least beyond porny eros towards amor and finally caritas? Continue reading →
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