THE CAMBRIDGE GREEK LEXICON

Sir Lawrence Alma-Tadema RA, Sappho and Alcaeus, credit Wikipedia

THE CAMBRIDGE GREEK LEXICON, ed. James Diggle et al., Vol. I A – I; Vol. II K – Ω, Cambridge, 2021, $84.99. Pp. i-xxiii, 1;1529, reviewed by Darrell Sutton

Sophists in ancient Greece employed figures of speech in formal addresses and publicized their rhetorical skills through sophisticated arguments. As collectors of proverbs, tales and choice terms, certain Sophists created crude glossaries to clarify the gist of Homer’s idiom and that of other authors. That impetus did not die with them. Scholars in the medieval age, as well, lacked suitable lexical tools. And this deficiency induced a handful of persons to compile lists of words for their own private tuition and for personal reference. Manuscripts which contained intelligent marginalia or scholia were usually added by individuals whose knowledge of that idiom ranged widely. In time, glossaries proved to be useful for research and writing.

In contrast to other ancient tongues, Greek writings have for a long time been supplied with lexical tools. This advantage is hard to quantify. The old stand-by dictionary compiled by Liddell-Scott-Jones, also known as LSJ, because of its later supplements by H.S Jones, was used by all. First published in 1843, it became the yardstick by which other lexicons were measured. In due course it was abridged, revised, and augmented several times. But shortcomings soon became apparent. Notable scholars referred to its deficiencies both orally and in print, especially its treatment of terms in the Septuagint. John Chadwick (1920-1998), an erudite forerunner in the study of Linear B texts, provided the Greek scholarship and lexical insights which contributed significantly to procedural improvements to Greek lexicography. Chadwick’s genius in this regard was deployed deftly in his volume Lexicographica Graeca (1996). Continue reading

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Soul on Ice

Shane Doan, credit Wikipedia

Soul on Ice

Mark Wegierski recalls a rare victory over “political correctness”

In April 2007, the Canadian media were convulsed by the allegation that Shane Doan, the captain of the Canadian team at the World Ice Hockey Championships, had uttered an anti-French slur years before – and was therefore unfit to lead the team. In the event, massive public resistance nullified the efforts of various Quebec Liberal and Bloc Quebecois politicians to destroy him.

A number of issues were raised by this cause célèbre. Firstly, the dredging up of a “politically-incorrect” incident from years before, to try to deny a highly talented person some official position or honour, smacked of Stalin’s Soviet Union. Secondly, even if Doan had shouted something egregiously offensive, it would have been unfair to punish him for it. In physical, contact sports, all kinds of things are said in the heat of the moment. A realistic view of human nature would regard such verbalisations as simply part of an often brutal, competitive struggle. It is absurd in itself to try to introduce a blanket ban on so-called “offensive speech” in the context of such often ferocious, competitive sports. Continue reading

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Some Suggestions for Canadian Conservatives

Second Union Station, Toronto, 1878, credit Wikipedia

Some Suggestions for Canadian Conservatives

from Mark Wegierski

The Canadian federal election of September 20, 2021 was another failure for the Conservative Party of Canada, despite Conservative leader Erin O’Toole’s attempted “move to the centre”. Now, the Conservative Party is consumed by a battle between pro- and anti- O’Toole factions. Looking back at history, the Conservative Party (called the Progressive Conservative party from 1942 to 2003) has largely failed to make an impact on Canadian society, politics, and culture, since the critical election loss of the staunch Tory John Diefenbaker to Liberal Lester B. Pearson, in 1963.

The Canadian Right will make little headway in the teeth of a hostile social, cultural, and political climate, unless it endeavours to give encouragement to the creation of infrastructures in which intellectual explorations of right-wing ideas and philosophies can take place. What is especially needed is a broadly right-of-centre magazine which could serve a mobilizing, galvanizing role similar to the early years of National Review in the United States. Perhaps Candice Malcolm’s True North Canada initiative could grow to include a monthly print magazine. Continue reading

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Number Four, Shock and Awe

Mecca Bingo, York Street, credit Wikipedia

Number Four, Shock and Awe

Bill Hartley in bingo world

They say all roads lead to Mecca but in Leeds you first have to go through the bus station. Location is a key feature with Mecca Bingo, most of whose 76 locations in Britain tend to be conveniently situated for public transport. The one in Bradford, for example, boasts that it is served by seven bus routes. Of late the name has been shortened simply to Mecca and though bingo is the core activity it’s now a broader gambling experience. For example, buy a breakfast and it comes with ten free goes on the ‘slots’. The Mecca experience really does start that early in the day, with the first eyes down at 11.00 am and that breakfast can be brought to your table.

The name dates back to the 1930s when the company started out running nightclubs and dance halls. In the 1990s it was sold to Rank and is now of sufficient significance that via a Google search, the name is to be found just below the other Mecca. Over a million people are said to make this version of the hajj each year and the company also operates in Spain and Belgium. Moving with the times, another revenue stream is digital. WhichBingo gave this version an award for best customer service. Continue reading

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Fire in the Hole

Centre de Musique Mediane pour Vikipedia

Fire in the Hole

Zingari (The Gypsies), original version premiered in 1912, music and libretto by Ruggero Leoncavallo, the Royal Philharmonic Orchestra conducted by Carlo Rizzi, Cadogan Hall, Friday 3 December 2021, reviewed by Leslie Jones

“Like a viburnum, I tremble on the breeze”. Ruggero Leoncavallo wrote the libretto for Zingari, which is replete with numerous, supposedly poetic lines. These lovers do go on. Prince Radu on heat brings to mind sexual tourist Lieutenant Benjamin Franklin Pinkerton, in Madama Butterfly.

In Leoncavallo’s imagined world, men are possessive, prone to jealousy and to violence. Women, in turn, are fickle and faithless and have weaponised their sexuality. A sexually frustrated man, it would seem, is more manipulable. There are also distinct elements of sadomasochism herein. “Cut me! Burn me!”, Fleana repeatedly implores. In due course, her sometime lover Radu obliges. A psycho-analyst would doubtless delve into the composer’s emotional and sexual history.

There is some splendidly exotic incidental music in this work. In his notes in the programme, however, Ditlev Rindom questions Leoncavallo’s pretentious claim to have “conducted ethnographic research into gypsy music”. He points out that part of the composer’s youth was spent in Cairo. The score, accordingly, is more reminiscent of Aida than of “gypsy ‘exoticism’”. Continue reading

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A Dark Night Rises

Kiss by Briseis, vase painter, credit Wikipedia

A Dark Night Rises

A Long, Dark Shadow: Minor-Attracted People and their Pursuit of Dignity, Allyn Walker, University of California Press, 2021, 221pp. reviewed by Ed Dutton 

A Long, Dark Shadow must rank as the most controversial book of 2021. Within weeks of it being published, its author had been hounded off social media and eventually forced to resign from an academic position at Old Dominion University in Virginia (see Sam Baker, “Trans professor, 34, who defended pedophiles as ‘Minor Attracted Persons’ finally RESIGNS after 15,000 people signed online petition,” Mail Online, 25th November 2021). [Editorial note; Dr Walker, hitherto an assistant professor of sociology and criminal justice, claims to have researched this subject “to identify ways to protect children” and to “prevent crime’. Walker has stated “I want to be clear: child sexual abuse is an inexcusable crime”. Dr Walker goes by the pronouns they/them] 

A Long, Dark Shadow attempts to dispassionately explore the world of non-active paedophiles. Due to the emotional baggage which the word “paedophile” carries, including the implication that a person has engaged in the sexual abuse of children, Walker prefers the euphemism “Minor-Attracted Person” (“MAP”). This is a term which many paedophiles increasingly employ to describe themselves, though some, Walker finds, are perfectly happy to self-identify simply as “paedophiles.” MAP is, however, a misleading and manipulative term, as we will see later. Continue reading

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ENDNOTES, December 2021

Path in Marline Wood, Sussex, credit Wikipedia

ENDNOTES, December 2021

In this edition: Elgar, Ireland and Holst from the English Music Festival;   Fairy Tales for saxophone and piano; reviewed by Stuart Millson

The Autumn English Music Festival, held at St. Mary’s Church, Horsham, was memorable for four performances in particular: a moving, deeply-studied account of Elgar’s Violin Sonata of 1918; Ireland’s Violin Sonata in D minor (1908-9); songs for tenor and piano by Gustav Holst; and a too-rarely-heard rendition of Madeleine Dring’s almost cabaret-like John Betjeman settings. On the afternoon of Saturday 13th November, violinist Rupert Marshall-Luck took to the platform at St. Mary’s, accompanied by pianist, Nathan Williamson, with a programme of music that included Vaughan Williams’s The Lark Ascending, the Legende by Frederick Delius and the charming “salon” pieces by Elgar, Salut d’Amour, Chanson de Nuit and Chanson de Matin – all played with depth, charm and beauty – but all exceeded by the complete immersion of the artists in Elgar’s sublime Violin Sonata, a product of the composer’s stay, late in the First World War, in secluded woodland in Sussex.

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George Parkin Grant as Educator

Max Bruckner, Final Scene of Gotterdammerung, credit Wikipedia

George Parkin Grant as Educator

by Mark Wegierski

Conservatives in Canada face a dilemma. In 1965, in his famous book Lament for a Nation: The Defeat of Canadian Nationalism, Canadian traditionalist philosopher George Parkin Grant pointed to the “impossibility of conservatism” in Canada. His writings have proved increasingly prophetic. Nevertheless, there are some thoughtful conservatives left in Canada, who could be called “George Grant’s children.” Their lives in Canada have been difficult – certainly at the psychological level – as they have been profoundly alienated from virtually every aspect of the current-day Canada, not least from the current-day Conservative Party of Canada.

Conservative leader Erin O’Toole failed to win the federal election of September 20, 2021. The Liberals were able to win a minority government (a plurality of seats) in the House of Commons, which will probably be supported by the New Democratic Party (NDP) which is even further left. A Liberal-NDP coalition would be yet another blow to traditional Canada. The ambition of the woke Left is evidently to move Canada to “Year Zero” – where literally nothing from the Canadian past is regarded as worthwhile. Continue reading

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Dune

Dune, Frank Herbert, 1965, credit Wikipedia

Dune

Mark Wegierski considers Frank Herbert’s masterwork

In 1985, left-wing science fiction author Judith Merril complained that most science fiction was permeated by a typology of “feudal values plus high-technology”. In truth, however, this combination makes for one of the most creative and interesting paradigms of science fiction. Witness Frank Herbert’s novel Dune, published in 1965 then made into a film by David Lynch in 1984. Many alterations were made by Lynch to the original vision of the book — for example, in the book, Baron Harkonnen is a kind of “Mephistophelean” figure but in the film is portrayed as a hideous horror-flick “monster”. Lynch also introduced various elements of horror that are simply not found in the book. And the black rubber still-suits (desert gear) are laughably wrong. In December 2000, there was a new rendering of Frank Herbert’s Dune, as a six-hour television mini-series on the U.S. Sci-Fi Channel. This was a more faithful adaptation of the book. And this year, a new film of Dune (Part One), by Denis Villeneuve, is being released.

The noble vision of Frank Herbert, although set in the far future, is based on varied elements of the historical and religious past of humankind — for example, ideas of political messianism, the rise of Islam, the theme of healthy barbarians against a decadent empire, etc. The linkage of “feudal values” with “high technology” does not reduce the book’s vision to the category of a “fairy-tale.” Continue reading

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The Incomparable Gilbert Highet

Thomas Couture, The Romans and their Decadence, credit Wikipedia

The Incomparable Gilbert Highet

R.J.Ball, The Classical Legacy of Gilbert Highet, Lockwood Press, 2021. Pp. I-IVI; 1-104. $34.95, reviewed by Darrell Sutton

Great scholars need biographers to tell their stories, to disclose information that would not be made available otherwise. In recent times, publicized accounts of the lives of classical scholars have appeared every so often, exposing their lifestyles and fecund minds to exhaustive but narrow analyses in the broader discipline of wissenschaftsgeschichte, a burgeoning field of study. Historians recover suppressed truths. They search musty attics, rummage through second-hand bookstores, explore letters/diaries in archives, and inspect files in squalid library basements. The profit is usually worth it, with the benefits outweighing the drawbacks.

Gossip and scandal are rarely far from an academic’s life. Gilbert Highet, however, a noted classicist, was an exception. Well-dressed, decorous, and refined in his speech, he stood out among the professors of his day. And as a classical scholar, he represented his field properly, in a way that befitted a public intellectual. Continue reading

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