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Endnotes, September 2023
Endnotes, September 2023
In this edition: Walton in Mediterranean mood; Sibelius in Nordic splendour. Plus, Bach sonatas and a Russian romantic masterpiece. Reviewed by Stuart Millson
On August 3rd, The Quarterly Review was at the Royal Albert Hall for a Proms concert of Walton and Sibelius, given by the BBC Philharmonic Orchestra under its Finnish conductor, John Storgards. The works of the maestro’s great countryman, Jean Sibelius, have greatly enriched the Chandos CD catalogue in recent years, with the Storgards/BBC PO cycle of symphonies garnering much critical approval. And a special sound from this partnership has also emerged, transferring to an equally memorable Carl Nielsen cycle: a velvety sound, with prominent, sometimes rugged brass, and superb attention to tiny detail ~ particularly woodwind writing.
The audience could hear ‘in the flesh’ that brilliant recording-studio/broadcast-orchestra sound ~ the Albert Hall stage and acoustic, doubling that intensity. Storgards carefully shaped a ‘spotlight sound’, meaning that each wind instrument, each pluck of a harp-string, gained prominence and attention. About five minutes into the Sibelius Symphony No. 1, after the immense initial symphonic argument and establishment of a theme, a contrasting delicate ‘dance’ appears, involving flutes, woodwind and harp; a fleeting, sparkling moment, before an angry section on timpani breaks the idyll.
A pizzicato passage then takes root, building up with glimpses of strange forest light ~ cellos and basses thrumming, as flute and clarinet phrases tumble and whirl. Critics often remark on the Tchaikovsky-like quality of Sibelius’s two early symphonies ~ big tunes, Russian-sounding romanticism ~ and yet, appearing out of the mists, comes the pure, Nordic Sibelius who would go on to give the world masterpieces such as the Fifth and Sixth symphonies and En Saga.
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Endnotes, August 2023
Endnotes, August 2023
In this edition: English music for strings at JAM on the Marsh Festival; songs by Eric McElroy; reviewed by Stuart Millson, the Classical Music Editor of Quarterly Review
Still preserving a sense of rural remoteness, Romney Marsh in Kent is one of the country’s most unusual localities. Once a watery world of creeks and salt marsh, then drained and given over to crops and sheep-grazing, the green low-levels extend as far as Dungeness and Denge Marsh, a unique shingle promontory jutting into the English Channel ~ and designated as our nation’s only official desert. The scene is partly dominated by the atomic power station, which is linked to its sister-facility in the North-West of England, by way of a single-track railway line (spared by Beeching) that threads its way through the hamlets of the Marsh. The tower of Lydd Church provides a contrast to the austere atomic monolith on the Ness; and rising above the landscape just to the east is the equally impressive Church of St. Nicholas, New Romney ~ the venue for a London Mozart Players concert of English (and American) music for strings, held as part of the JAM on the Marsh Festival.
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Tagged Dr David Green, Jam on the Marsh Festival, Randall Svane, Three Choirs Festival
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How the West was Wrung
How the West was Wrung
Last month, the death was announced of the American writer Cormac McCarthy. Newspaper obituaries described him as a reclusive man who gave few interviews and let his books do the talking. For many years, success eluded him with none of his first five novels selling more than 3000 copies and as a consequence he lived a penurious life. McCarthy finally reached a wider audience when his 2005 novel No Country For Old Men was turned into a multiple Academy Award winning film. The book has been described as a modern Western and the American South West was a location which McCarthy used in other works. Indeed, he travelled extensively in the region whilst undertaking research, eventually settling in El Paso, Texas.
McCarthy remarked that apart from Coca Cola, the only other thing universally known about the United States was ‘Cowboys and Indians’. He added that nobody had taken the genre seriously for 200 years and had decided that he should.
Though a modern Western, No Country contained some archetypal characters such as the drifter, the bounty hunter, the kid, and the sheriff with a weary and reluctant sense of duty; a man gradually being overwhelmed by the savagery of people. Savagery and violence certainly weren’t confined to this book. McCarthy’s first foray into the Western genre was Blood Meridian or the Evening Redness in the West, published in 1985. Although it didn’t attract much attention at the time, the book is now hailed as a masterpiece and for some merits the title of ‘Great American Novel’ but like his earlier works it sold poorly.
Love’s Vicissitudes
Love’s Vicissitudes
L’elisir d’amore at Longborough Festival Opera, Tuesday 27th June, 2023, The Queen of Spades at The Grange Festival, Thursday 29th June, 2023, reviewed by David Truslove
Donizetti’s L’elisir d’amore and Tchaikovsky’s The Queen of Spades may have little in common, but both these new productions drew inspiration from their immediate surroundings. A typical Cotswold village was lovingly created for Longborough Festival Opera’s Donizetti, while an orangery, echoing past affluence in leafy Hampshire, provided the setting for The Grange Festival’s Tchaikovsky.
At Longborough, its picture book charm well suited to country house diversion, it was summer season fun with director Max Hoehn declining to take the plot’s love-conquers-all theme seriously. Jemima Robinson’s designs updated Donizetti’s 1832 rom.com to contemporary rural Britain; stone walls, phone booth-turned-defibrillator, post box and park bench framed by a jigsaw puzzle of birdlife with a topical slogan declaring ‘Green, pleasant and now protected’. When the stage was not already crowded, it was then peopled by a postie (Nemorino) and a chorus of villagers; policeman, builders with hard hats, a Goth, two pensioners and a schoolgirl (Giannetta) on a scooter.
Em notes, July 2023
Em notes, July 2023
In this edition: new works at the Sixteenth English Music Festival and a CD tribute to Walter Leigh. Reviewed by Stuart Millson.
Approaching Dorchester-on-Thames from Henley takes the traveller through the England of Three Men in a Boat and The Wind in the Willows – via roadsides garlanded with early-summer cow parsley and, in the distance, the remnant rings of Anglo-Saxon earthworks. Close to Dorchester is the famous landscape feature Wittenham Clumps, a tree-crested hill, a symbol of pastoral continuity and the venue for this year’s English Music Festival.
Arriving at the great church in fine weather, QR enjoyed a preview of the opening-night concert: the BBC Concert Orchestra and their conductor, Martin Yates – with Raphael Wallfisch, soloist – hard at work in rehearsal for E.J. Moeran’s Cello Concerto. Written at the end of the Second World War for his wife, the cellist, Peers Coetmore, the concerto is a soulful piece – especially in the sad beauty of the slow movement – conjuring in the mind’s eye the lonely west coast of Ireland; although, it seems, there was no specific spirit-of-place intended by this gifted but troubled composer. Experiences in the First World War and a lifelong battle with alcohol had evidently taken their toll. Continue reading
Posted in QR Home
Tagged Em Marshall-Luck, Paul Lewis, Rupert Marshall-Luck, Vaughan Williams, Walter Leigh
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What friends are for
What friends are for, by Bill Hartley
The Society of Friends, better known as the Quakers, has been associated with the town of Darlington in County Durham since the 17thcentury. Even the local football club is nicknamed the Quakers. In the town centre there is a rather elegant Friends Meeting House which was built in 1839. Today it sits awkwardly amongst the charity shops, night clubs and bargain drinking spots. Here, the Quakers meet twice a week for silent prayer and contemplation. It seems like the perfect place for someone to go in search of a quiet, non ritualistic, religious experience. Close by they also maintain the Quaker tradition of philanthropy by running their own charity shop.
For anyone with a vague idea of what the Quakers are about, the banner draped over the portico might be confusing. It invites passers-by to ‘Join us in the fight for Climate Justice’. Below that, rather more alarmingly it adds, ‘act now to save your home’. This seems like a peculiar bandwagon for a supposedly religious organisation to climb on. Would not something about God, or a shared spiritual experience, have been more appropriate than representing themselves as a branch office of Extinction Rebellion?
Climate Justice is a complex subject. Sonia Klinsky, an associate professor at Arizona State University, distils the problem rather effectively. She points out that whilst China is the single largest emitter of greenhouse gases, Saudi Arabia, the US and Australia to name but three all have more than twice per capita emissions than the country which is supposedly the worst offender. She adds that low income countries have been arguing for years that it would be unjust to require them to cut essential investments in areas that richer countries already take for granted, such as electricity generation.
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Tagged Climate Justice, Joseph & Edward Pease, Quakers, Society of Friends
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