Ganging up on London

Ganging up on London

Gangs of London, Sky Atlantic, series one, directed by Gareth Evans and Matt Flannery, 2020, reviewed by AR Kneen

‘You could build an empire; you could be a king’ – so Finn Wallace (Colm Meaney) informs his young son Sean during a ‘hands on tutorial’. Finn is trying to get Sean to shoot a man buried up to his neck in the ground. This formative episode haunted Sean throughout his life; perhaps not least because he could not pull the trigger, and instead his younger brother Billy shot the man dead. But if a king does not inherit his title, then he has to obtain it via conquest – conquest of a land and of its people.

Gangs of London tells the story of the various immigrant groups who have come to London and of their struggles to attain power, profit and glory – largely through the heroin trade. The plot revolves around the Wallace family – headed by Finn Wallace, who immigrated to London from Ireland, aged 12. A major part of Finn’s crime business is laundering the profits from heroin, through property and construction, for a number of immigrant drug lords. There are the Albanians, headed by ruthless and murdering Luan. Mosi leads the Nigerians who specialise in machete attacks. Asif is the Pakistani crime boss and heroin-importer, the father of Nasir – Nasir eventually becoming the Mayor of London, after his father bankrolls his political campaign. Lale is a female Kurdish PKK member who imports heroin and runs the Kurdish criminal gang. The elderly reserved and bespectacled Li runs the Chinese. There are also the Welsh travellers, the leader of whom is Kinney Edwards, father of Danny, although the travellers are the one group not involved with the heroin trade.

Also heavily involved in Finn’s business are the Dumani family. Ed Dumani has been friends with Finn since childhood. Ed has 2 adult children: a son Alex and a daughter Shannon – her young child Danny being Ed’s grandson. The Wallaces and the Finns consider each other family. The other major characters in this tale include: Jevan, an Asian man close to ‘the investors’; and Elliot a black undercover policeman who infiltrates the Wallace family. There are not many white English characters, other than Mark who acts as an enforcer for the Wallaces, and Jim who is a low-level employee. The indigenous English are largely invisible in this tale, although they presumably consume the heroin, and suffer the consequences.

Most immigrants come to England because they believe that it will benefit them. Of course, most immigrants are not murderers or involved with trafficking heroin. However, the goal of benefiting oneself, particularly materially, is the main factor driving immigration – contrary to the media fairy tale of most immigrants ‘fleeing persecution/seeking asylum’. What if England is merely a place to use for one’s own benefit and the indigenous people therein to be used for one’s own ends? When Lale speaks of her home country and how she sells heroin to supply food, medicine, clothes and weapons for ‘her people’ – it is clear enough where her heart lies

For many immigrants, England is a land of riches to be taken; of wealthy and effete public-school boys like those in the investment house attacked by Mosi and his Nigerian gang. There is a striking image of a beautiful woman, the elegant, poised and alabaster-skinned English-rose Natalie – sipping expensive wine in a stately-home while a string quartet plays in the background. Natalie, with her gorgeous designer clothes and her perfectly-styled hair, introduces Alex to representatives of the rich and powerful. While Natalie introduces Alex to these important people, Jevan takes Ed into the grounds to explain various matters to him.

The majority of English people, self-evidently, do not have grounds, or violins playing in their living rooms. They are the ‘pawns’ in this series. When a young English guy is set alight and killed by Sean (Joe Cole), he implores, – ‘please don’t, I’m just a nobody’. This killing was supposedly to avenge the murder of Sean’s father Finn, the central event of the plot of this series. Yet the ‘nobody’ in question did not actually commit the murder but merely saw the getaway car. It transpires that Finn was actually murdered by a teenage Welsh traveller, Darren Edwards, with his close friend Ioan as his driver. Darren and Ioan were contracted to kill a man they believed to be ‘just some paedo’. Receiving the address by text, the 2 boys borrowed a car from their traveller site and drove to the address texted to them. Darren lets himself into the empty flat with the spare key left above the door and awaited the man’s arrival, then shot Finn in the head through the front door.

On one level, this is the story of a 67-year-old gangster with a property business laundering heroin money who was planning to run away with his mistress – but instead got murdered. After his death, it is discovered that money is being transferred from the business accounts. In the wake of his death, there is a power struggle and problems ensue because of the missing money. But Gangs of London also touches upon some social and political issues – including inter-generational factors, some intersecting with socio-economic issues. Several themes recur, notably that of kings versus pawns (‘nobodies’). Another recurrent theme is justifications given for wrong-doing. Finn considers abandoning his family (and possibly stealing the money and ordering the murder of a whole Albanian family) perfectly acceptable. Lale justified her actions as being for her people. There is also the issue of expectations. For many indigenous English people, most doors are closed, even if there are no signs on them – and they do not expect it to be otherwise. Many questions are left unresolved – series two will hopefully elucidate them.

Dr AR Kneen is the author of ‘Multiculturalism’. What Does it Mean? Uses and Abuses. Smokescreens and Mirrors, 2015


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Tricoteurs Occupy Bowes Museum

Bowes Museum, credit Wikipedia

Tricoteurs Occupy Bowes Museum

by Bill Hartley

Barnard Castle has an earlier claim to fame. It’s the home of the Bowes Museum, incongruously perched on a valley side in what looks like a huge French chateau. In the nineteenth century, local landowner John Bowes and his wife used their great wealth to amass a large collection of paintings, furniture and fine art. A significant amount of the Bowes wealth came from Durham coal mining royalties.

Exhibitions and events can be the lifeblood of a museum and the Bowes currently has two. It might be expected that this venerable institution would stage exhibitions which dovetail with its role as the repository of so many artistic treasures. These days though the Bowes is prepared to take in some peculiar lodgers. Perhaps in a building groaning with artistic treasures, many originally designed to fit the grandest rooms, there is a need to dispel any notion of elitism and ensure a connection with modern society. Imagine then entering one of the museum’s galleries, the walls adorned with 18th and 19th century pictures, many hung in massive gilt frames. In the midst of this, a collection of female mannequins have been placed, each wearing a denim jacket onto which have been sewn numerous identical patches. An awful realisation strikes the visitor. He must forget the quiet contemplation of artworks painted in an age when draughtsmanship was prized. Now he is confronted by an attempt to be relevant. Continue reading

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Critical Race Theory Transcends Reality

Ilana Mercer

Critical Race Theory Transcends Reality

by Ilana Mercer

Inciting racial hatred against whites is all in a day’s work on CNN. It devolves into a more festive affair when a celebrity like DL Hughley joins the network’s conga-line of cretins. In a July segment, the comedian, author of Surrender, White People, regaled those CNN viewers with a masochistic mindset, by comparing “racism” to COVID19. Whitey, belched Hughley—who used to be witty and is now a drag—can be an asymptomatic carrier of racism. Just because you haven’t done anything racist, doesn’t mean you aren’t racist.

Pay no attention to the COVID-race comparison. It’s the Left’s lowbrow idea of an intellectual quip. Be mindful, however, of the “guilty if you do, guilty if you don’t” pop-jurisprudence. Collectively convicting an entire racial group for metaphysical crimes is the cornerstone of the Critical Race Theory (CRT). Flouting Western judicial philosophy, Critical Race Theory says that you are a racist without having committed racism, which is like being a murderer, robber or rapist without having murdered, robbed or raped. How does that jurisprudence strike you? It strikes the reasonable, fair-minded member of society as “less than human, less than coherent, less than sane.”

Deconstructed, racism, as deployed by Critical Race theorists, is purely a metaphysical affair. It doesn’t survive contact with reality, relying for its validation on a loose relationship with the real world. You might say Critical Race Theory is anchored in symbolism and not realism. Ditto Critical Race Feminism (CRF), a subspecies of CRT, the symbolic nature of which this writer had traced in a 2001, Ottawa Citizen column. Continue reading

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Arguing with Racists

Letter to the Editor: Arguing with Racists


The transformation of the Eugenics Education Society into the Galton Institute has not been as radical as the “political correction” of the Royal Anthropological Institute, let alone the Institute of Race Relations. Nevertheless, the latest issue of The Galton Review carries a surprisingly naïve endorsement of Adam Rutherford’s How to Argue with a Racist (2020), by Emeritus Professor Dallas Swallow of UCL, written with the BLM “demonstrations” in mind. It repeats the evasive semantic mantra that the “very concept” of “race” is a genetic “fallacy”, and states that every individual currently alive on earth shares ancestors in common with “all others” as recently as the 14th century.

Contextual clarity regarding umbrella words like “racism” and “racists” is urgently required, especially in view of a currently politicised focus on “definitions” confining responsibility to white-skinned people. The disputable allegation that “racial classification” arose as a superstructural “legitimisation” of Western imperialism is linked to the recent denunciation of (among others) James Watson, Tatu Vanhanen, Vincent Sarich, Garrett Hardin, Cyril Darlington, Carleton Coon, John Baker, Ruggles Gates, Ellsworth Huntington, Ronald Fisher, Joseph Deniker, Francis Galton, Thomas Malthus, Carl Linnaeus – and inevitably (notwithstanding his anti-slavery opinions) Charles Darwin himself. Continue reading

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Cesare Bourgeois

Benito Mussolini, Bundesarchiv Bild 102-08300

Cesare Bourgeois

John Gooch, Mussolini’s War: Fascist Italy from Triumph to Collapse, 1935-1943, Allen Lane, London, 2020, maps, illustrations, bibliography, notes, index, pp.vii-xxiv + pp.1-410, ISBN 978-0-241-18570-4, review essay by Frank Ellis

Fidarsi è bene, ma non fidarsi è meglio

How could it be that a nation one of whose most illustrious sons gave the world Il Principe (The Prince, 1532) and Dell’arte della Guerra (The Art of War, 1521) could, in turn, have produced a leader, who allowed himself to get swept away with dreams of imperial neo-Roman glory, whose incompetence transformed Italy into a vassal of Germany and led the country to defeat, humiliation and destitution? Part of the answer lies in the nature of power. Those who wield power want to expand its range and one way to achieve this aim is by suppression of domestic opposition and by pursuing wars abroad, behaviour which is certainly not confined to authoritarian or totalitarian regimes. Revolutionary regimes – and Fascist Italy and National-Socialist Germany were, in essence, revolutionary not reactionary – are driven by an impulse to remake their states and the world in a hurry. Wars of conquest and territorial expansion are the chosen means. Better still, external wars can also be used to justify greater control over the lives of citizens (pandemics can serve the same purpose). Further, war expressed one of the core ideas of Fascism and National Socialism: the necessity and nobility of permanent struggle.

An obvious preliminary in a book dedicated to the wars of Fascist Italy – one not satisfied by Gooch – would be to consider what constitutes the nature of Fascism and how it shaped Italian foreign policy under Mussolini. This is important since it would discriminate between Fascism (Italian or Spanish) and National Socialism, eliminating the propagandistic conflation of the two and would serve to distinguish Fascism from the more aggressive and successful manifestation of National Socialism. Clear differences, for example, emerge in the way the two states prepared for, and executed, their military campaigns and how they fought when the tide turned in favour of the Allies. For an ideology that placed so much faith in war and struggle as a part of statecraft, there was a definite mismatch between Fascist theory and real-existing Fascism. Continue reading

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All over it, like White on Rice

Derrick Bell, pioneer of Critical Race Theory, photo by David Shankbone

All over it, like White on Rice

Ilana Mercer critiques Critical Race Theory

Critical Race Theory is the supposedly “remedial” lens through which America’s race reality is refracted. Look hard enough and the need for this theoretical concoction becomes abundantly clear: it’s on the playground and in the classroom – watch for the bossy white kids. It’s in businesses and boardrooms, where microaggressions tumble from the mouths of their white mothers and fathers. It’s in government departments, brought about by the few whites who haven’t been weeded out by quotas and set-asides for “oppressed” minorities.

There, this irredeemably uppity demographic persists in strutting its “oppressor stuff,”  emitting up to 15 “microinequities” per minute, by the estimation of human-resource department sickos. It’s in the FBI (Federal Bureau of Investigation), wherein workshops on intersectionality only just keep the plague of white privilege at bay, among bureau agents who haven’t yet been deluged by Trump derangement syndrome. Critical Race Theory, reports Christopher Rufo, contributing editor at City Journal, has even reached the battle field—on a mission of mercy. Introducing the Critical Race Theory chimera to the U.S. military falls within the mission of this vast, global welfariate. The military must keep the enemy in good mirth during the COVID lockdown. And there is nothing that makes Jihadis laugh harder than the idea of white soldiers—a mere 55% of the force—walking meekly. The U.S. Military might no longer know Matthew 5:5, but to the enemy, they look like they know who’ll inherit the earth. Continue reading

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ENDNOTES, September 2020

Falklands War, HMS Antelope Explodes
Credit: AP

ENDNOTES, September 2020

In this edition: as the BBC reinstates ‘Land of Hope and Glory’ to the Proms season finale, Stuart Millson recalls the Last Night of the Proms, 1982

Back in the days of Sir Malcolm Sargent, Basil Cameron and Dame Myra Hess, the era when the Third Programme was re-forming into Radio 3, Penguin Books published a regular music magazine, in which there appeared a feature about the Promenade concerts – the annual classical music festival known to everyone as “the Proms”, founded in 1895 by conductor Henry Wood, and impresario, Robert Newman, but since 1927 run by the BBC. Evocative black-and-white pictures showed the promenade audience gathering at the Royal Albert Hall – an audience distinguished by its youthful and informal appearance, a trait which continues to this day, although the audience has aged somewhat, a depressing indication that many young people in our era do not attend “serious” cultural events. Penguin’s writer commented on the Proms “types”: the group which turn up every night and quickly forms a “clique” (season-ticket holders – of which I was one – are guilty of this), but also the music-lover who was once fanatical, but now goes only occasionally, but still loves and cherishes his or her visits in the ripeness of middle age. Continue reading

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When Kyle Came to Kenosha

Minute Man Statue, Lexington, Massachusetts

When Kyle Came to Kenosha

Ilana Mercer, from embattled America

Having done an about face against rioting, the sanctimonious Don Lemon, at CNN, giggled and smirked his way through a segment about “racist” white suburbanites, who imagined any decent rioter would bother with their ugly abodes. Hey, racists, there is no Gucci merchandise where you bunk down, taunted CNN’s pin up boy.

Desperate, suddenly, to appear on the side of normies, the Fourth Estate is currently yearning for a Sister Souljah moment. Sister Souljah had expressed sympathy for the 1992, L.A. rioters. If only black people would turn to killing whites instead of one another, lamented that eponymous rapper. Back then, Bill Clinton—a master politician, and a conservative by the standards of Democrats today—deconstructed her weasel words. Candidate Clinton called the rapper a racist as bad as David Duke. As a master of triangulation, he managed at once to appease whites (who mattered back then) without alienating black Americans. And, unlike Anderson Cooper, Bill Clinton felt your pain.

Behold the puzzled look on Cooper’s bewildered face, as he is told by an ordinary, working American what it means to lose your life’s work to louts and looters. The silver-haired Mr. Cooper, also a CNN celebrity anchor, is the son of heiress Gloria Vanderbilt. Private property owners defending their modest residences and meager businesses is not something someone who grew up in a castle can comprehend. Continue reading

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The Knee on Floyd’s Neck

Franz Marc, Tyrol 1914

The Knee on Floyd’s Neck

Ilana Mercer, on racism and law

Racism consists of impolite thoughts and words. If that’s what racism is, then the knee on George Floyd’s neck does not constitute racism. On the facts, the knee on Mr. Floyd’s neck was a knee on a man’s neck. That’s all that can be inferred from the chilling video recording in which Floyd slowly expired as he pleaded for air. Floyd begged to breathe. But the knee on his neck—“subdual restraint and neck compression,” in medical terms—was sustained for fully eight minutes and 46 seconds, causing “cardiopulmonary arrest.” There are laws about what transpired between former Officer Derek Chauvin and Mr. Floyd. But the law’s ambit is not to decide whether the ex-officer is a correct-thinking individual, but whether he committed a crime. Concerning Chauvin’s mindset, the most the law is supposed to divine is mens rea—criminal intension: was the officer whose knee pressed on Floyd’s neck acting with a guilty intent or not?

For fact-finding is the essence of the law. The law is not an abstract ideal of imagined social justice that exists to salve sensitive souls. If “racism” looks like a felony crime, then it ought to be prosecuted as nothing but a crime and debated as such. In the case of Mr. Chauvin, a mindset of depraved indifference seems to jibe with the video. This is not to refute the reality of racially motivated crimes. These most certainly occur. It is only to refute the legal and ethical validity of a racist mindset in the prosecution of a crime. Surely, a life taken because of racial or antisemitic animus is worth no more than life lost to spousal battery or to a home invasion. Continue reading

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Selected Correspondence of Ronald Syme

Augustus as Pontifex Maximus

Selected Correspondence of Ronald Syme

ANTHONY R. BIRLEY, THE SELECTED CORRESPONDENCE OF RONALD SYME 1927-1939, History of Classical Scholarship, 2020, Pp. 211, reviewed by Darrell Sutton

It is the opinion of many eminent classicists that Sir Ronald Syme (1903-1989) forged new pathways and would head any list of influential scholars of ancient Roman history. Indeed, the number of men and women following in his train continues to grow. Scholarship on the periods contiguous to Augustan Rome shifted during Syme’s Oxford tenure. Reactions to his work persist. Over the decades several academic journals have issued learned papers by authors who attempted to address the questions Syme posed, and his arguments and conclusions.

Equally adroit in Greek and Latin, at Trinity College Oxford, in his twenties, he was already a tutor in Greek and Roman history. Syme’s productive writing career began in 1928 and proceeded undiminished into his eighty-seventh year. Early pieces like ‘Rhine and Danube Legions under Domitian’ JRS (1928) and ‘The Argonautica of Valerius Flaccus’ CQ (1929) established his reputation. Midway through his career, his two-volume opus Tacitus (1958) showed his status as facile princeps among historians and his decidedly strict philological views. Prolific, his historical genius is captured fully in his compiled articles which appeared as Roman Papers I-VII (1979-1991). Numerous incomplete and unpublished literary projects were left behind when he died, many of them erudite studies that have since been published.

Students will now be able to access a few of the letters written to him during a thirteen-year period. Birley provides an Introduction of 22 pages in which he outlines his working relationship with Syme’s literary executor, Fergus Millar (1935-2019), and others, regarding his use of the contents of Syme’s archives. Several obituaries contained factual errors about Syme. Pages 27-28, ‘Some Corrections’, list a few particulars. The ‘Letters’ extend from pages 34-169. A ‘Postscripts’ section, plus ‘Appendices’ (pp.171-202) and ‘A List of Individuals Named in Syme’s Respective Notes’ are terminated by ‘A List of Letters Included’ (pp.203-211). Continue reading

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