Category Archives: QR Home

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Craftwork

Posted on October 10, 2022 by leslie

Craftwork Wollstonecraft: Philosophy, Passion and Politics, Sylvana Tomaselli, Princeton University Press, Princeton & Oxford, 2021, 230pp, pb, reviewed by Leslie Jones The first riposte to Edmund Burke’s Reflections on the Revolution in France (1790) was Vindications of the Rights of … Continue reading →

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A Defense of Classical Literature

Posted on October 6, 2022 by leslie

A Defense of Classical Literature By Darrell Sutton Past centuries saw the creation of various literary treasures whose worth cannot be gauged by modern standards because what has been handed down possesses unique qualities. Forms of spelling, stylistic idiosyncrasies and … Continue reading →

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Endnotes, October 2022

Posted on October 4, 2022 by leslie

Endnotes, October 2022 In this edition: Mahler’s Fifth Symphony from the Czech Philharmonic, Elgar, choral music from Severnside, reviewed by Stuart  Millson Sometimes described as a “journey from darkness to brilliant light”, the Symphony No. 5 by Gustav Mahler (1901-02) … Continue reading →

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Fade to Grey: Aida Review

Posted on October 3, 2022 by leslie

Fade to Grey: Aida Review Khedieval Opera House, Cairo, credit Wikipedia Aida, an opera in four acts, music by Giuseppe Verdi, libretto by Antonio Ghislanzoni, conductor Sir Antonio Pappano, director Robert Carsen, Royal Opera, 30th September 2022, reviewed by Leslie … Continue reading →

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Criss Cross

Posted on September 21, 2022 by leslie

Criss Cross La Princesse de Trébizonde, Jacques Offenbach, libretto by Étienne Tréfeu & Charles-Louis-Étienne Nuitter, English narration adapted by Jeremy Sams, sung in French, London Philharmonic Orchestra conducted by Paul Daniel, Southbank Centre’s Queen Elizabeth Hall, Friday 16th September 2022, … Continue reading →

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Rules for Everyone

Posted on September 19, 2022 by leslie

Rules for Everyone By Bill Hartley Most of our larger cities still have what used to be called a local prison. Usually they date from the nineteenth century and are monuments to Victorian civic pride. Like other public buildings of … Continue reading →

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Thy Kingdom Come

Posted on September 18, 2022 by leslie

Thy Kingdom Come On the 14th September, six days after the death of Her Majesty Queen Elizabeth ll, Stuart Millson, Classical Music Editor of The Quarterly Review, was present at The Mall On Thursday 8th September, during the course of the afternoon’s … Continue reading →

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Amor Fati, Madama Butterfly

Posted on September 14, 2022 by leslie

Amor Fati Madama Butterfly, Japanese tragedy in three acts, Royal Opera 12th September 2022, music composed by Giacomo Puccini, libretto by Giuseppe Giacosa and Luigi Illica, conductor Nicola Luisotti, reviewed by Leslie Jones In The Origin of the Family, Private … Continue reading →

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Endnotes, September 2022

Posted on August 29, 2022 by leslie

Endnotes, September 2022 In this edition: the Celtic musical world of Arnold Bax, by Stuart Millson In 1917, the nature- and myth-worshipping English composer Arnold Bax travelled to the northerly Cornish coast, to the “castle-crowned cliffs of Tintagel”, for a … Continue reading →

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Varieties of Canadian Conservatism

Posted on August 22, 2022 by leslie

Varieties of Canadian Conservatism By Mark Wegierski The divisive leadership contest in the federal Conservative Party of Canada will soon be resolved. The leading candidates are Pierre Polievre, seen as tending towards populism, and Jean Charest, considered a centrist. The … Continue reading →

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